Un abogado empeñado en subir puestos encuentra un aliado inesperado en un criminal manipulador al que está intentando condenar.Un abogado empeñado en subir puestos encuentra un aliado inesperado en un criminal manipulador al que está intentando condenar.Un abogado empeñado en subir puestos encuentra un aliado inesperado en un criminal manipulador al que está intentando condenar.
- Premios
- 1 premio y 2 nominaciones en total
Gary Carlos Cervantes
- Ciro
- (as Carlos Cervantes)
Argumento
¿Sabías que...?
- CuriosidadesThe kinetic objects, with the rolling glass marbles, are designs of Dutch artist Mark Bischof.
- PifiasBy the expert's testimony in court we are informed that Ted Crawford's bullet pierced through the frontal cortex in the temporal lobe coming to rest upon the upper side of the brain against the skull. Yet when we see wife Jennifer's head hit the floor for a brief moment in a close-up, there is no injury visible at all. Furthermore in another scene Ted points to his left cheek bone when he describes where he shot his wife. Such an injury is very different from that described during the trial. The shot was fired at close range with a powerful .45, which makes it very unlikely that the bullet would come to rest within the skull.
- Citas
Ted Crawford: Even a broken clock is right twice a day.
- Créditos adicionalesThe opening credits, rather than merely superimposed on the background, cast shadows and have reflections as if they exist in the scene.
- ConexionesFeatured in HBO First Look: Look Closely: The Making of 'Fracture' (2007)
- Banda sonoraOmbra Fedel Anch'io
Composed by Riccardo Broschi
Performed by Vivica Genaux (as Vivica Geneaux)
Pianist Paul Floyd
Reseña destacada
Fracture is the story of Ted Crawford (Hopkins), a rich engineer who shoots his wife after discovering she is having an affair. When the police arrive, he confesses and hands in his weapon, and the case is passed on to hotshot DDA Willy Beachum (Gosling), who sees this, his final public service trial before he moves onwards and upwards, to be a slam-dunk case; but alas, thanks to Crawford's mind games, things are not what they seem and the case undergoes a series of twists and turns as Crawford and Beachum engage in a tense battle of wits.
The most obviously noticeable thing about Fracture is the how well-polished it all is. The whole thing looks so...expensive. The cars are expensive. The phones are expensive...even the cutlery during the Thanksgiving dinner scene looks expensive. Beachum seems to wear a new suit in every scene, and even the outdoor location shots look glossy; South California looks like it has been lacquered up especially for the camera lens.
It's all very smooth, well edited, cleverly shot, and well-paced, but without these two actors, this movie would have been nothing more than a glossy second-rate courtroom "thriller". Hopkins and Gosling take it to the next level with great lead performances. Hopkins clearly enjoys playing this sort of manipulative role, controlling events, making sly remarks, and winking in that very obviously shifty way, and he gets to drive flashy cars and live in a big house while he does it, which I imagine only increases the amount of fun he has. Similarly, the cockiness arrogance of DDA Beachum allows Gosling to strut around, make wisecracks, and generally be a smug git. While the Hopkins-Gosling clashes make the movie, they are ably supported by David Straitharn, Rosamund Pike, and Billy Burke, who all inject a bit more life and background into the film.
While the ride is comfortable for the most part, Fracture slips a gear towards the end; the shift from murder mystery to moral crusade feels a little bumpy, but nonetheless, strong performances and great artistic direction make Fracture a stylish, clever and enjoyable thriller that's definitely worth a look.
The most obviously noticeable thing about Fracture is the how well-polished it all is. The whole thing looks so...expensive. The cars are expensive. The phones are expensive...even the cutlery during the Thanksgiving dinner scene looks expensive. Beachum seems to wear a new suit in every scene, and even the outdoor location shots look glossy; South California looks like it has been lacquered up especially for the camera lens.
It's all very smooth, well edited, cleverly shot, and well-paced, but without these two actors, this movie would have been nothing more than a glossy second-rate courtroom "thriller". Hopkins and Gosling take it to the next level with great lead performances. Hopkins clearly enjoys playing this sort of manipulative role, controlling events, making sly remarks, and winking in that very obviously shifty way, and he gets to drive flashy cars and live in a big house while he does it, which I imagine only increases the amount of fun he has. Similarly, the cockiness arrogance of DDA Beachum allows Gosling to strut around, make wisecracks, and generally be a smug git. While the Hopkins-Gosling clashes make the movie, they are ably supported by David Straitharn, Rosamund Pike, and Billy Burke, who all inject a bit more life and background into the film.
While the ride is comfortable for the most part, Fracture slips a gear towards the end; the shift from murder mystery to moral crusade feels a little bumpy, but nonetheless, strong performances and great artistic direction make Fracture a stylish, clever and enjoyable thriller that's definitely worth a look.
- snow0r
- 11 oct 2007
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Crimen perfecto
- Localizaciones del rodaje
- 4411 Noeline Avenue, Encino, Los Ángeles, California, Estados Unidos(Crawford's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 39.015.018 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.180.000 US$
- 22 abr 2007
- Recaudación en todo el mundo
- 92.011.561 US$
- Duración1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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