PUNTUACIÓN EN IMDb
5,4/10
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TU PUNTUACIÓN
Añade un argumento en tu idiomaA man, who has been married for 27 years, falls in love with his 18-year-old daughter's friend.A man, who has been married for 27 years, falls in love with his 18-year-old daughter's friend.A man, who has been married for 27 years, falls in love with his 18-year-old daughter's friend.
- Premios
- 3 nominaciones en total
Imágenes
Argumento
¿Sabías que...?
- CuriosidadesBefore the film released a large protest was carried out in Amitabh Bachchan's hometown Allahabad; as protesters were unhappy to see superstar Amitabh Bachchan romancing a 18 year old, and felt this was totally unacceptable in the Indian culture.
- ConexionesReferences Dil Se.. (1998)
Reseña destacada
I tried to watch this movie keeping "Lolita" and "poison ivy" out of mind. After all, the 'old man falling for a young girl' is not new in Hollywood by any stretch of imagination. This movie is purely for Indian audiences, many of whom may have never seen "Lolita", and therefore its purpose is to introduce an 'alien' subject to bollywood. So far, so good!!
Nishabd starts well. A young girl Jiah captures her friend's father's heart by being unusually carefree and unbelievably audacious. While her 'take light' attitude is conveniently attributed to her Australian upbringing and a troubled childhood, the scenes showing Amitabh's growing attraction towards her are well presented. Here, i must mention the young actress Jiah Khan. She fits the part completely- physically and phonetically. Using her extra-provocative body language and always-uncrossed legs, she brings to life a manipulative and headstrong young girl with a selfish motive of enticing an old man. Amitabh is reliable, though monotonous, and speaks volumes through his eyes.
Jiah's and amitabh's growing infatuation for each other is pasted against picturesque backdrops of Munnar (kerala) and up to the interval, the movie is very much watchable ( sometimes, entertaining). As traces of sexual tension are clearly visible and the affair being still a secret form the household, you anticipate a path breaking second-half.
This is where things go wrong. By the time jiah and amitabh confront each other with their feelings, the bollywood's morality fever has returned. Nishabd makes the elementary and hackneyed mistake of grouping love and lust in the same bracket. The way the first half is shown, the only conclusion you can draw is that both the protagonists are sexually attracted to each other. Yet, the director identifies these lustful feelings as love and leaves you confused. This is, undoubtedly, done because it would have been difficult to convince the Indian people that the base of an unconventional relationship is lust, not love. Since 'love conquers all' and is much 'purer' and acceptable than lust, people must respect it. For, however important age difference is, love is love and it is OK if it happens to anyone, isn't it? As a reviewer rightly put: "This movie fits the moral envelope, but it never tries to push it." THe movie makes a brilliant point about how an old man's impending death can lead him to unexperienced joys in the world like young bodies, yet it fails to recognize the relationship as raw infatuation. I can understand how important it is for the movie's commercial success to call lust as love, but i expected RGV to be bolder and give us a more radical story.
Nishabd is still not a total disappointment. The photography is beautiful and you can't help but want to visit munnar after watching. The acting is top-notch and Jiah khan is certainly a find. But, above all, nishabd is the latest in the series of bollywood films this year that have gradually taken us toward more relevant and intelligent cinema. Nishabd deserves credit for addressing a bold issue and on the whole, for being a part of bollywood revolution towards better films, though we haven't reached there yet.
Nishabd starts well. A young girl Jiah captures her friend's father's heart by being unusually carefree and unbelievably audacious. While her 'take light' attitude is conveniently attributed to her Australian upbringing and a troubled childhood, the scenes showing Amitabh's growing attraction towards her are well presented. Here, i must mention the young actress Jiah Khan. She fits the part completely- physically and phonetically. Using her extra-provocative body language and always-uncrossed legs, she brings to life a manipulative and headstrong young girl with a selfish motive of enticing an old man. Amitabh is reliable, though monotonous, and speaks volumes through his eyes.
Jiah's and amitabh's growing infatuation for each other is pasted against picturesque backdrops of Munnar (kerala) and up to the interval, the movie is very much watchable ( sometimes, entertaining). As traces of sexual tension are clearly visible and the affair being still a secret form the household, you anticipate a path breaking second-half.
This is where things go wrong. By the time jiah and amitabh confront each other with their feelings, the bollywood's morality fever has returned. Nishabd makes the elementary and hackneyed mistake of grouping love and lust in the same bracket. The way the first half is shown, the only conclusion you can draw is that both the protagonists are sexually attracted to each other. Yet, the director identifies these lustful feelings as love and leaves you confused. This is, undoubtedly, done because it would have been difficult to convince the Indian people that the base of an unconventional relationship is lust, not love. Since 'love conquers all' and is much 'purer' and acceptable than lust, people must respect it. For, however important age difference is, love is love and it is OK if it happens to anyone, isn't it? As a reviewer rightly put: "This movie fits the moral envelope, but it never tries to push it." THe movie makes a brilliant point about how an old man's impending death can lead him to unexperienced joys in the world like young bodies, yet it fails to recognize the relationship as raw infatuation. I can understand how important it is for the movie's commercial success to call lust as love, but i expected RGV to be bolder and give us a more radical story.
Nishabd is still not a total disappointment. The photography is beautiful and you can't help but want to visit munnar after watching. The acting is top-notch and Jiah khan is certainly a find. But, above all, nishabd is the latest in the series of bollywood films this year that have gradually taken us toward more relevant and intelligent cinema. Nishabd deserves credit for addressing a bold issue and on the whole, for being a part of bollywood revolution towards better films, though we haven't reached there yet.
- from_christmas_past
- 4 mar 2007
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 73.819 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 40.684 US$
- 4 mar 2007
- Recaudación en todo el mundo
- 2.655.669 US$
- Duración1 hora 50 minutos
- Color
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By what name was Nishabd (2007) officially released in Canada in English?
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