La vida privada cuidadosamente cultivada de un adicto al sexo se desmorona tras la llegada de su hermana para una estancia indefinida.La vida privada cuidadosamente cultivada de un adicto al sexo se desmorona tras la llegada de su hermana para una estancia indefinida.La vida privada cuidadosamente cultivada de un adicto al sexo se desmorona tras la llegada de su hermana para una estancia indefinida.
- Nominado a 2 premios BAFTA
- 50 premios y 94 nominaciones en total
Charisse Bellante
- Live Chat Woman
- (as Charisse Merman)
Argumento
¿Sabías que...?
- CuriosidadesThe first time Michael Fassbender saw the film was with his father Josef. Both were relieved that his mother Adele could not make the screening.
- PifiasWhen Brandon is on the subway looking at the woman we see Fulton behind him on the wall of the subway tunnel. The train moves and a few minutes have passed. Next, when the woman exists the train and he follows her, we see that they are again at Fulton station.
- Citas
Sissy Sullivan: We're not bad people. We just come from a bad place.
- Créditos adicionalesNo opening credits apart from the movie's title.
- ConexionesFeatured in At the Movies: Venice Film Festival 2011 (2011)
- Banda sonoraAria from the Goldberg Variations
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Masterworks and the Glenn Gould Estate
Licensed by Sony Music Entertainment UK Ltd
Reseña destacada
"We're not bad people. We just come from a bad place."
The film is profoundly sad. It brilliantly depicts what is the true effect of addiction. How it sucks the life out of someone until they are forced to give in to their desire, thus becoming just a hollow shell of a person. The whole thing has an unsettling vibe to it, and the color tone and cinematography do help the story to move forward. Steve McQueen as a director really shines here. He tells the story with subtlety, like there some scenes where the characters don't say much, and he relies on visuals to do the work.
As for the acting, Michael Fassbender is insanely brilliant as he is in all of his other films. This role requires a lot from him like he has to be charismatic, also has to bring a sense of vulnerability to the character which he does amazingly. Carey Mulligan's character is sort of this broken person who clearly has a past with her brother, at least that's what I got from some of their awkward encounters.
It's kind of a tough film to sit through, so it's not recommended for everyone.
The film is profoundly sad. It brilliantly depicts what is the true effect of addiction. How it sucks the life out of someone until they are forced to give in to their desire, thus becoming just a hollow shell of a person. The whole thing has an unsettling vibe to it, and the color tone and cinematography do help the story to move forward. Steve McQueen as a director really shines here. He tells the story with subtlety, like there some scenes where the characters don't say much, and he relies on visuals to do the work.
As for the acting, Michael Fassbender is insanely brilliant as he is in all of his other films. This role requires a lot from him like he has to be charismatic, also has to bring a sense of vulnerability to the character which he does amazingly. Carey Mulligan's character is sort of this broken person who clearly has a past with her brother, at least that's what I got from some of their awkward encounters.
It's kind of a tough film to sit through, so it's not recommended for everyone.
- Nahid_15
- 27 ago 2020
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Shame: deseos culpables
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 3.909.002 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 361.000 US$
- 4 dic 2011
- Recaudación en todo el mundo
- 19.126.823 US$
- Duración1 hora 41 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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