Masaan

Masaan was felicitated at the Cannes Film Festival with standing ovation from the audiences. True to its hype, Masaan lives up to the reputation and gives you hard-hitting drama with realistic views on life.

Masaan, means "crematorium", tells two parallel story in the holy city of Varanasi.

From the writer Varun Grover( lyricist to some good films like Gangs Of Wasseypur, Ankhon Dekhi, Dumb Laga Ke Haisha) and direction by Neeraj Ghaywan ( 2nd Unit director to Gangs Of Wasseypur and Ugly), Masaan tells you the ugly side of life – The cremation scenes at the ghat of Ganges, the coin-collecting game and police extortion deep- dives into simple life and thinking of Varanasi people, caste system and police pressure. The hitting drama is hair-raising and it will be difficult to gulp down few scenes. Kudos to Neeraj Ghaywan for daring to be different. It takes nerve of steel to tell the not-so- happy ending stories. Art direction is brilliant. Cinematography is astounding with eye-catching scenes of beautiful banks of Varanasi. Dialogues are witty. Background score by Indian Ocean is tuneful. I was expecting the climax to be engaging but was slightly disappointed. Coming to the performances, Masaan has four protagonist and each of them gets into the character. Richa Chadha is brilliant and gives a staggering performance. She is undoubtedly gem of a actor playing various characters ( Nagma Khatoon in Gangs Of Wasseypur, Bholi Punjabin in Fukrey) with ease. Sanjay Mishra just gets better with each role. He is electrifying as usual. Newbie actors Vicky Kaushal and Shweta Tripathi shines and are promising.

Masaan is gritty and realistic cinema which should be lauded for its sheer effort. Excellent 4/5