En una ciudad futurista dividida entre la clase trabajadora y los planificadores de la misma, el hijo de un magnate se enamora de una profeta que predice la llegada de un salvador.En una ciudad futurista dividida entre la clase trabajadora y los planificadores de la misma, el hijo de un magnate se enamora de una profeta que predice la llegada de un salvador.En una ciudad futurista dividida entre la clase trabajadora y los planificadores de la misma, el hijo de un magnate se enamora de una profeta que predice la llegada de un salvador.
- Premios
- 7 premios ganados y 6 nominaciones en total
Fritz Alberti
- Schöpferischer Mensch
- (sin créditos)
- …
Grete Berger
- Arbeiterin
- (sin créditos)
- …
Olly Boeheim
- Arbeiterin
- (sin créditos)
- …
Max Dietze
- Arbeiter
- (sin créditos)
- …
Ellen Frey
- Arbeiterin
- (sin créditos)
- …
Beatrice Garga
- Frau der ewigen Gärten
- (sin créditos)
- …
Heinrich Gotho
- Zermonienmeister
- (sin créditos)
- …
Dolly Grey
- Arbeiterin
- (sin créditos)
- …
Anny Hintze
- Frau der ewigen Gärten
- (sin créditos)
- …
Gottfried Huppertz
- Man Playing Violin
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaUnemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 children to film the flooding sequences.
- ErroresWhen Freder and Josaphat are climbing down into the miner's city, Freder is barefoot. When they are taking the children up the stairs, he has shoes again.
- Créditos curiososRestoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv
- Versiones alternativasA version restored by the German Democratic Republic in the eighties runs 115 minutes (still shown on German TV sometimes).
- ConexionesEdited into Il volo (1975)
Opinión destacada
Fritz Lang's Metropolis is the first true masterpiece of science fiction in film. You can see it's influence in films such as Star Wars, The Matrix, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Blade Runner, and countless others. Despite the fact that parts of the film are no longer available, the efforts to reconstruct the original film from its remains are valiant enough to provide enough to make the story clear. The special effects were far ahead of their time and the set designs were, in some cases, phenomenal. I can see where some people may not enjoy this movie. It is hard for some to really appreciate a movie that is 77 years old, because a lot has happened in film since then. Yet, if you look at the basic elements of this movie - its story, characters, artwork, cinematography, etc., I believe this movie has just as much to offer now as it must have in the late 1920's. Also, take into consideration the asthetics of German expressionist film when viewing this. The performances and set designs are going to be over the top. That was part of the style. Metropolis may not be for everyone, but, for those willing to read between the lines, this film still has a lot to offer!
- ACitizenCalledKane
- 2 dic 2004
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Detalles
Taquilla
- Presupuesto
- DEM 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,236,166
- Fin de semana de estreno en EE. UU. y Canadá
- USD 19,386
- 14 jul 2002
- Total a nivel mundial
- USD 1,350,322
- Tiempo de ejecución2 horas 33 minutos
- Mezcla de sonido
- Silent(original release)
- Relación de aspecto
- 1.33 : 1
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What is the streaming release date of Metrópolis (1927) in Australia?
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