CALIFICACIÓN DE IMDb
6.4/10
4.4 k
TU CALIFICACIÓN
Un periodista neoyorquino se entromete en la búsqueda de un científico para desenmascarar al Asesino de la Luna.Un periodista neoyorquino se entromete en la búsqueda de un científico para desenmascarar al Asesino de la Luna.Un periodista neoyorquino se entromete en la búsqueda de un científico para desenmascarar al Asesino de la Luna.
- Premios
- 1 nominación en total
Thomas E. Jackson
- Daily World Editor
- (as Thomas Jackson)
Louise Beavers
- Louise the Cathouse Maid
- (sin créditos)
Raoul Freeman
- Morgue Detective
- (sin créditos)
Selmer Jackson
- Willard Keefe - Daily World Night Editor
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaFor a time Warner Brothers did not have a print of the original Technicolor version and it was assumed to be lost. The Technicolor version was finally discovered in the private collection of studio head Jack L. Warner after his death in 1978 and restored by the UCLA Archives.
- ErroresAs Dr. Xavier displays the wax figures of the murder victims, on the first figure, that of the "woman of the streets", the left hand can be seen trembling slightly.
- Citas
Lee Taylor, Daily World Reporter: Are you going swimming with me in the morning?
Joanne 'Joan' Xavier: No thanks. Good night.
Lee Taylor, Daily World Reporter: What will you do if I start to sink and yell for help?
Joanne 'Joan' Xavier: Throw you an anvil. Good night!
- Versiones alternativasThis film was shot in two versions. One camera unit, under Ray Rennahan, shot the film in two-color Technicolor. A second camera unit, under Richard Towers, shot the scenes at the same time in black and white. The black and white version was meant for theaters who could not afford the higher rental cost of the color prints...black and white prints were less costly to rent.
- ConexionesEdited into Dedos macabros (1946)
Opinión destacada
Wow, what a shock - a 1932 color movie! Well, sort of......only two colors, but they look great.
I only got this because I saw it at the library as part of a two-pack with "The Return Of Dr. X." It is part of a Hollywood "Legends Of Horror" package that includes several other films I am familiar with and think highly of, so I can see a possible future purchase.
Anyway, the first thing that struck me watching this was that fantastic two-strip Technicolor. Immediately there is a street scene of green and brown that looks tremendous....and eerie. You would think that only black-and-white might make this look eerie, but not so - that combination of green and brown was very effective and made this a fascinating visual film. Hats off to the UCLA film restoration team, which made this 75-year-old film look really good.
As for the story, well, let's just say it doesn't measure up to the visuals. It starts off looking like a fun movie, even - surprise - a comedy as the newsman "Lee Taylor" (Lee Tracy) cracks a few corny jokes. However, it settles down into a crime story (more than horror) and we wind up with a whodunit and a room full of suspects, a la Charlie Chan or Sherlock Holmes. The suspects are all scientists working in the Academy of Surgical Research. A bunch of recent hideous crimes by the "Moon Killer" were all done in the vicinity of the academy, so they're the prime suspects. Even the head man at the academy, "Dr. Xavier," looks a bit suspicious. He is played well by Lionel Atwill.
The police give "Dr. X" 48 hours to find out if any of his employees are the killer before they totally take over the investigation and ruin the reputation of the scientific institution. All of the scientists, by the way, look and act creepy which adds to the mystery. Heck, they all could be serial killers.
The film drags during much of that period - except for a short testing session that Dr. X sets up to see if any of his subordinates are, indeed, the killer. Apparently, it's true because someone kills one of the suspects during the experiment! Then there is another long lull and the cops are getting impatient with the good doctor. They give him another ultimate so he "tests" his employees again, this time using his daughter "Joanne" (Fay Wray) as a guinea pig, so to speak.
Then, we finally see who the real killer is and that part is fun to watch and he transforms into a hideous monster-like man. I guess this why the film is called a horror film instead of a crime movie. I won't give the ending away but I admit, it's pretty good.
If that long middle part had been spiced up a bit, this would have super, but it was too talky for too long. Still, this isn't bad and I love those two colors. I wish more movies looked like that.
I only got this because I saw it at the library as part of a two-pack with "The Return Of Dr. X." It is part of a Hollywood "Legends Of Horror" package that includes several other films I am familiar with and think highly of, so I can see a possible future purchase.
Anyway, the first thing that struck me watching this was that fantastic two-strip Technicolor. Immediately there is a street scene of green and brown that looks tremendous....and eerie. You would think that only black-and-white might make this look eerie, but not so - that combination of green and brown was very effective and made this a fascinating visual film. Hats off to the UCLA film restoration team, which made this 75-year-old film look really good.
As for the story, well, let's just say it doesn't measure up to the visuals. It starts off looking like a fun movie, even - surprise - a comedy as the newsman "Lee Taylor" (Lee Tracy) cracks a few corny jokes. However, it settles down into a crime story (more than horror) and we wind up with a whodunit and a room full of suspects, a la Charlie Chan or Sherlock Holmes. The suspects are all scientists working in the Academy of Surgical Research. A bunch of recent hideous crimes by the "Moon Killer" were all done in the vicinity of the academy, so they're the prime suspects. Even the head man at the academy, "Dr. Xavier," looks a bit suspicious. He is played well by Lionel Atwill.
The police give "Dr. X" 48 hours to find out if any of his employees are the killer before they totally take over the investigation and ruin the reputation of the scientific institution. All of the scientists, by the way, look and act creepy which adds to the mystery. Heck, they all could be serial killers.
The film drags during much of that period - except for a short testing session that Dr. X sets up to see if any of his subordinates are, indeed, the killer. Apparently, it's true because someone kills one of the suspects during the experiment! Then there is another long lull and the cops are getting impatient with the good doctor. They give him another ultimate so he "tests" his employees again, this time using his daughter "Joanne" (Fay Wray) as a guinea pig, so to speak.
Then, we finally see who the real killer is and that part is fun to watch and he transforms into a hideous monster-like man. I guess this why the film is called a horror film instead of a crime movie. I won't give the ending away but I admit, it's pretty good.
If that long middle part had been spiced up a bit, this would have super, but it was too talky for too long. Still, this isn't bad and I love those two colors. I wish more movies looked like that.
- ccthemovieman-1
- 24 oct 2006
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 882,900
- Total a nivel mundial
- USD 1,294,920
- Tiempo de ejecución1 hora 16 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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What is the Spanish language plot outline for El doctor X (1932)?
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