CALIFICACIÓN DE IMDb
7.2/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaKarin, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prison camp. But she cannot get used to the tough life in Antonio's volcano-threatened village, Str... Leer todoKarin, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prison camp. But she cannot get used to the tough life in Antonio's volcano-threatened village, Stromboli.Karin, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prison camp. But she cannot get used to the tough life in Antonio's volcano-threatened village, Stromboli.
- Premios
- 2 premios ganados y 1 nominación en total
Argumento
¿Sabías que…?
- TriviaDuring production of this film, Ingrid Bergman entered into an extra-marital affair with Roberto Rossellini and became pregnant, the two eventually getting married and having three children. The resulting scandal in America effectively blacklisted her from the North American movie market and she was even condemned by politicians and religious figures. She was finally forgiven and welcomed back to America upon the success of Anastasia, la princesa vagabunda (1956), but her Hollywood career was temporarily ended by this movie.
- ErroresWhen the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper.
- Créditos curiososOpening credits: "I was found of them that sought me not; I was made manifest unto them that asked not after me." (New Testament, St. Paul's letter to the Romans, Chapter 10, Verse 20)
- Versiones alternativasSeveral running times exist. The main difference between the 81 min. US version and the 105 min. Italian version was in the ending, with religious themes cut out.
- ConexionesEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Opinión destacada
Rossellini's "Stromboli, terra di Dio" is a film on the line between fiction and reality more than usual for the acclaimed director. Most of the central part, where Karin just lives in Stromboli and complains about stuff was not written as in a normal screenplay: Rossellini chose possible elements of the environment or popular habits and filmed them in the movie, putting Karen in it like an extrernal observator. This has a double effect: neorealism comes to some of its highest achievements (like the tuna fishing and the eruption of the volcano) but to the loss of a fantastic actress such as Ingrid Bergman, who always feels out of place. Careful: I didn't say KAREN, I said BERGMAN. Because as a character she should be out of place, and she is even esthetically: she's always combed and white as the moon, while the inhabitants are rusty and dirty. But the actress herself is out of place in this film, and that is not a good thing at all. Her lines are dumb, repetitive, and Bergman actually did a great job managing to not disappear in such irrelevance. She still lives the scene, but her attempt is clearly forced into a new, uncharted territory as was Italian filmmaking for an American diva. We could say then that Ingrid is just as lost as her character.
What I just can't stand in this film is the necessity of squeezing the religious conversion (I'm talking about the Italian version of the film, American and International versions have slightly different endings for that time's commercial policies). It was the result of Rossellini's collaboration with powerful politicians and Church men, to be specific Giulio Andreotti and Felix Morlion, whose intention was to use a critically acclaimed author's cinema for political propaganda. I hate when other interests interfere with artistic purposes, and here the last moments are definitely flawed with an out of the blue realization of the power and existence of God for no good reason.
As I said before, neorealist features are what makes this film enjoyable and a classic. Apart from the brilliant scenes I mentioned above, I really liked the harsh depiction of the patriarchy that unfortunately still exists and thrives especially in the South of Italy. I actually felt bad and angry at Antonio as he jerks his wife with no respect and beats her like an animal, but I know very well that even today that is the norm in so many families and that simply pisses me off. Kudos to Rossellini for depicting that so realistically, but then again he's a great director exactly because of scenes like those.
What I just can't stand in this film is the necessity of squeezing the religious conversion (I'm talking about the Italian version of the film, American and International versions have slightly different endings for that time's commercial policies). It was the result of Rossellini's collaboration with powerful politicians and Church men, to be specific Giulio Andreotti and Felix Morlion, whose intention was to use a critically acclaimed author's cinema for political propaganda. I hate when other interests interfere with artistic purposes, and here the last moments are definitely flawed with an out of the blue realization of the power and existence of God for no good reason.
As I said before, neorealist features are what makes this film enjoyable and a classic. Apart from the brilliant scenes I mentioned above, I really liked the harsh depiction of the patriarchy that unfortunately still exists and thrives especially in the South of Italy. I actually felt bad and angry at Antonio as he jerks his wife with no respect and beats her like an animal, but I know very well that even today that is the norm in so many families and that simply pisses me off. Kudos to Rossellini for depicting that so realistically, but then again he's a great director exactly because of scenes like those.
- darioilg
- 19 dic 2016
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- How long is Stromboli?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Stromboli
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total a nivel mundial
- USD 17,532
- Tiempo de ejecución1 hora 47 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Stromboli, tierra de Dios (1950) officially released in India in English?
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