Period pieces set in the 1890's or at the turn of the century were a popular genre in the 1940's. They were often sweet, nostalgic tales that both reminded elderly audience members of their youths and appealed to younger ones with a rose-tinted view of supposedly simpler and more gracious times. Vincente Minnelli's "Meet Me in St. Louis" (1944) and Raoul Walsh's "The Strawberry Blonde" (1941) are the best known of these films, but there were many others including this one.
William Wellman's "The Happy Years" is an episodic film based on the works of early 20th century novelist Owen Johnson. Between 1909-1922, Johnson wrote a number of novellas about the humorist adventures of students at both New Jersey's preparatory Lawrenceville School and Yale University which were Johnson's own alma maters.
"The Happy Years" is about "John Humperdink 'Dink' Stover" (Dean Stockwell), a young New Jersey teenage terror, and his first experiences as a Lawrenceville student in 1896. We are first introduced to Dink through the eyes of his exasperated parents (Leon Ames and Margolo Gillmore). They are at wits end at how to deal with this incorrigible troublemaker. The solutions: let him be sent to a reformatory or pack him off to his Dad's and older brother's prep alma mater: Lawrenceville School. So, he goes to Lawrenceville.
Why Lawrenceville is treated as a "last resort" is not exactly explained. It has a beautiful, bucolic campus and an all-male student body of well-heeled toffs. It looks more like a reward than a punishment. Anyway, as a new boy, he is immediately nicknamed "Dink" and subjugated to the ritual hazing that all new kids receive from older classmates among whom are the dapper "Tennessee Shad" (Scotty Beckett) and big-man-on-campus, "Tough McCarty" (Darryl Hickman). Dink doesn't take the hazing in good nature which violates an unspoken code of student conduct. His refusal to be a "good sport" about it leads to him being a pariah. With his lousy attitude, it appears Dink won't be long for Lawrenceville.
Tough guy director William Wellman often specialized in male-bonding films which is probably why he got this film despite it being a frothy nostalgia piece. The film's emphasis is on a boy proving himself to other boys by taking and accepting his "lumps." There are several fights and a violent football game. The few female characters are mostly just marks for various boyish pranks. It's "boys will be boys."
"The Happy Years" starts strong, but then bogs down as it bounces from one lengthy episodic scene after the next. By the time it reached that football game I was about to check-out. It just doesn't feel coherent which is probably a result of its screenplay being cobbled together from chapters of Johnson's various books. Plus, the sight of little Dean Stockwell fighting much larger boys and winning was eye-roll inducing. (The scenes of 14 yr old Stockwell tangling with strapping 19 yr old Hickman are particularly silly.)
"The Happy Years" was a dud at the box-office. It appears post-war 1950 film audiences were no longer interested in nostalgia pieces about "the good ole days."
Dean Stockwell was near the end of his days as a child star. As were both Darryl Hickman and Scotty Beckett. "The Happy Years" being a box-office bomb appears to have convinced Hollywood that they were no longer viable stars and moved on. Stockwell smartly would step away from Hollywood for a few years before returning to have a very long career as a character actor in both film and TV. Hickman would work fairly steadily as a TV and voice actor. However, Scotty Beckett became one of the more notorious former child actors whose career and life spun completely out-of-control leading to an early demise.
