CALIFICACIÓN DE IMDb
6.2/10
7.4 k
TU CALIFICACIÓN
Tras aterrizar en un planeta misterioso, un equipo de astronautas empiezan a enfrentarse unos a otros, influidos por el planeta y sus extraños habitantes.Tras aterrizar en un planeta misterioso, un equipo de astronautas empiezan a enfrentarse unos a otros, influidos por el planeta y sus extraños habitantes.Tras aterrizar en un planeta misterioso, un equipo de astronautas empiezan a enfrentarse unos a otros, influidos por el planeta y sus extraños habitantes.
- Premios
- 1 nominación en total
Ángel Aranda
- Wess Wescant
- (as Angel Aranda)
Federico Boido
- Keir
- (as Rico Boido)
Vito Fasano
- Dead Galliott Crew Member
- (sin créditos)
Giuseppe Mattei
- Brent
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThis film marks the first collaboration between Mario Bava and his son/assistant director Lamberto Bava. Lamberto would later become a director himself.
- ErroresWhen Toby and Mark duke it out, Toby bumps into and moves the flight seat revealing it to be unattached to the deck.
- Citas
Capt. Mark Markary: I'll tell you this, if there 'are' any intelligent creatures on this planet... they're our enemies.
- Versiones alternativasThe original Italian version runs 88 minutes long. The US version runs 86 minutes long.
- ConexionesFeatured in Aweful Movies with Deadly Earnest: The Demon Planet (1969)
Opinión destacada
Mario Bava's Planet of the Vampires is one of the films credited as being a major influence on Ridley Scott's Alien (1979), and it's easy to see why: there are numerous scenes and elements that are very similar to those in Scott's movie (albeit with a distinct '60s Euro sci-fi flavour). Bava's movie isn't on a par with Alien in terms of overall quality-the movie suffers a little from its low budget and it treads water for a long while-but its sense of style and originality still makes it a lot of fun for those who enjoy retro sci-fi/horror.
The film starts as the crew of the spaceship Argos (a horseshoe shaped craft, much like the alien spaceship in Alien) approach the planet Aura having receiving a strange transmission (as in Alien). They land on the foggy surface of the planet (as in Alien) and are immediately gripped by a compulsion to attack each other. After this spate of craziness passes, the crew walk to their sister ship, the Galliot, which also landed on the planet, and find the crew dead. Further investigation of the surrounding area reveals the wreck of an alien ship (as in Alien) where they discover the giant skeletons of its extraterrestrial crew (as in Alien). Eventually, it transpires that the space signal intercepted by the Argos was sent by a dying race that seeks to inhabit any visitors unfortunate to land on their planet (parasitic creatures - Alien anyone?).
For all of their similarities, Bava's film couldn't be much more different to Alien in terms of style: whereas Scott's film aimed for a gritty sense of realism, Bava's is much more rooted in pulp sci-fi comics, with the strangely spacious spaceship Argus, its crew's snazzy uniforms (the collars and hoods are hilarious), lots of high tech equipment with flashing diodes, a bright colour palette, and strong use of light and shadow. The film also predates George Romero's Night of the Living Dead with the reanimated crew of the Galliot more akin to modern day zombies than vampires.
After quite a bit of filler, the surviving members of the Argus finally escape Aura, the film ending with a twist worthy of an episode of Rod Serling's The Twilight Zone.
6.5 out of 10, rounded up to 7 for the tasty female crew members of the Argus, sexy redhead Sanya (Norma Bengell) and blonde hottie Tiona (Evi Marandi).
The film starts as the crew of the spaceship Argos (a horseshoe shaped craft, much like the alien spaceship in Alien) approach the planet Aura having receiving a strange transmission (as in Alien). They land on the foggy surface of the planet (as in Alien) and are immediately gripped by a compulsion to attack each other. After this spate of craziness passes, the crew walk to their sister ship, the Galliot, which also landed on the planet, and find the crew dead. Further investigation of the surrounding area reveals the wreck of an alien ship (as in Alien) where they discover the giant skeletons of its extraterrestrial crew (as in Alien). Eventually, it transpires that the space signal intercepted by the Argos was sent by a dying race that seeks to inhabit any visitors unfortunate to land on their planet (parasitic creatures - Alien anyone?).
For all of their similarities, Bava's film couldn't be much more different to Alien in terms of style: whereas Scott's film aimed for a gritty sense of realism, Bava's is much more rooted in pulp sci-fi comics, with the strangely spacious spaceship Argus, its crew's snazzy uniforms (the collars and hoods are hilarious), lots of high tech equipment with flashing diodes, a bright colour palette, and strong use of light and shadow. The film also predates George Romero's Night of the Living Dead with the reanimated crew of the Galliot more akin to modern day zombies than vampires.
After quite a bit of filler, the surviving members of the Argus finally escape Aura, the film ending with a twist worthy of an episode of Rod Serling's The Twilight Zone.
6.5 out of 10, rounded up to 7 for the tasty female crew members of the Argus, sexy redhead Sanya (Norma Bengell) and blonde hottie Tiona (Evi Marandi).
- BA_Harrison
- 16 nov 2018
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Planet of the Vampires
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000 (estimado)
- Tiempo de ejecución1 hora 28 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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Principales brechas de datos
What is the Brazilian Portuguese language plot outline for El planeta de los vampiros (1965)?
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