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En la Italia del siglo XVI, una joven noble conspira con su amante y su familia para asesinar a su abusivo padre, lo que provoca un alboroto en la comunidad y en la Iglesia Católica.En la Italia del siglo XVI, una joven noble conspira con su amante y su familia para asesinar a su abusivo padre, lo que provoca un alboroto en la comunidad y en la Iglesia Católica.En la Italia del siglo XVI, una joven noble conspira con su amante y su familia para asesinar a su abusivo padre, lo que provoca un alboroto en la comunidad y en la Iglesia Católica.
Adrienne Larussa
- Beatrice Cenci
- (as Adrienne LaRussa)
Georges Wilson
- Francesco Cenci
- (as George Wilson)
Mavie Bardanzellu
- Lucrezia Petroni
- (as Mavi)
Ignazio Spalla
- Catalano
- (as Pedro Sanchez)
Steffen Zacharias
- Prospero Fadinacco
- (as Max Steffen Zacharias)
Giorgio Rayzacher
- 2nd Excellency
- (as Jerzy Rayzacher)
Argumento
¿Sabías que…?
- TriviaDirector Lucio Fulci considers this movie his best film.
- Citas
Olimpo Calvetti: It's so humiliating to have been unable to withstand the torture...
Opinión destacada
This is further evidence that Lucio Fulci was a man of many talents before becoming bitter at diminishing budgets and the pigeonholing of his skills into gory horror. Here, Fulci gives us a historical drama about the corruption of the Catholic church (and not for the last time!) as well as the hypocrisy of Roman nobility, It's gory and horrible too, but in a dramatic, historical way!
Beatrice Cenci is the daughter of Francesco Cenci, a Roman nobleman whom we first see feeding a man to a pack of dogs. He's a nasty bastard all right, and has done something to offend the current Pope and now has to make amends by giving up a third of his wealth. His children all hate him, even Beatrice, who has petitioned the Pope behind his back in order to enter the church as a nun. This breaks the heart of her lover, Vassal Tomas Milian, but he still remains loyal and goes with her wishes.
However, while celebrating the death by smallpox of his two eldest sons(!), Francesco finds out about Beatrice wanting to join the church and arranges instead to keep her captive in the basement of his tower until he dies which seems to happen almost immediately after he says that. As the film jumps back and forth on the timeline, we don't get to see what happened right away, which allows the Catholic Church to hire medieval Colombo to sort the mystery out! Should that be D'catolic choich?
Yes, the film is gory and full of violence and torture, but I think this only goes to show how awful human beings actually are and how corrupt the Catholic Church were back then. Folks are put on racks, burned with tongs, and one character foreshadows many a future Fulci film by having a huge nail rammed into his eye. That said, the film is not cheap looking and it's all deadly serious. Everything looks exactly like a Fulci film too – no matter how cheap his films became in the late eighties, they still retained that certain look.
Tomas Milian stands out here as the repressed, subdued servant which had me worrying if he would ever do his 'covered in filth, screaming' bit (it happens about an hour in). It's depressing stuff, but it's also interesting to see these directors working in different fields. I'm not watching any of his comedies however, although I do like the title The Senator Liked Woman's Bottoms.
Beatrice Cenci is the daughter of Francesco Cenci, a Roman nobleman whom we first see feeding a man to a pack of dogs. He's a nasty bastard all right, and has done something to offend the current Pope and now has to make amends by giving up a third of his wealth. His children all hate him, even Beatrice, who has petitioned the Pope behind his back in order to enter the church as a nun. This breaks the heart of her lover, Vassal Tomas Milian, but he still remains loyal and goes with her wishes.
However, while celebrating the death by smallpox of his two eldest sons(!), Francesco finds out about Beatrice wanting to join the church and arranges instead to keep her captive in the basement of his tower until he dies which seems to happen almost immediately after he says that. As the film jumps back and forth on the timeline, we don't get to see what happened right away, which allows the Catholic Church to hire medieval Colombo to sort the mystery out! Should that be D'catolic choich?
Yes, the film is gory and full of violence and torture, but I think this only goes to show how awful human beings actually are and how corrupt the Catholic Church were back then. Folks are put on racks, burned with tongs, and one character foreshadows many a future Fulci film by having a huge nail rammed into his eye. That said, the film is not cheap looking and it's all deadly serious. Everything looks exactly like a Fulci film too – no matter how cheap his films became in the late eighties, they still retained that certain look.
Tomas Milian stands out here as the repressed, subdued servant which had me worrying if he would ever do his 'covered in filth, screaming' bit (it happens about an hour in). It's depressing stuff, but it's also interesting to see these directors working in different fields. I'm not watching any of his comedies however, although I do like the title The Senator Liked Woman's Bottoms.
- Bezenby
- 4 oct 2017
- Enlace permanente
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Detalles
- Tiempo de ejecución1 hora 39 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Beatrice Cenci (1969) officially released in India in English?
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