Han pasado cinco años y la fiebre por bailar de Tony Manero sigue viva. Ahora se prepara para su mayor desafío, triunfar como bailarín en Broadway.Han pasado cinco años y la fiebre por bailar de Tony Manero sigue viva. Ahora se prepara para su mayor desafío, triunfar como bailarín en Broadway.Han pasado cinco años y la fiebre por bailar de Tony Manero sigue viva. Ahora se prepara para su mayor desafío, triunfar como bailarín en Broadway.
- Premios
- 6 nominaciones en total
Sarah M. Miles
- Joy
- (as Sarah Miles)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaJohn Travolta has claimed his favorite director to work with was Sylvester Stallone. He said Stallone knew how to make him look the best on screen.
- ErroresDuring the rehearsal segment, the camera crew is reflected in the mirrors.
- Citas
[last lines]
Tony Manero: Do you know what I wanna do? You know what I wanna do?
Jackie: What?
Tony Manero: Strut.
- Versiones alternativasNBC edited just 30 seconds from this film for its 1987 network television premiere.
- ConexionesFeatured in Bee Gees: Someone Belonging to Someone (1983)
- Bandas sonorasThe Woman In You
Performed by The Bee Gees
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Produced by Barry Gibb, Robin Gibb and Maurice Gibb, Karl Richardson and Albhy Galuten
Opinión destacada
Staying Alive (1983)
** (out of 4)
Sylvester Stallone co-wrote and directed this sequel to Saturday NIGHT FEVER, which picks up five years after that film has Tony Manero (John Travolta) trying to make it as a chorus dancer on Broadway. His old time girlfriend Jackie (Cynthia Rhodes) puts up with his trouble but rich girl and star Laura (Finola Hughes) just uses him as she wants and soon Tony's going to have to decide on his future in both dancing and female. STAYING ALIVE is clearly a very, very bad movie but I think it crosses a line that makes it so campy that you can't help but have some fun with it. I'm really not sure what Stallone was thinking with his screenplay but it seems like he wanted to add in touches of ROCKY making Tony an underdog and this here just never works for a number of reasons. For starters, Tony is a complete jerk and his character just doesn't have the same appeal as Rocky. Another problem here is that the dialogue is so incredibly bad that you can't help but laugh at it as well as the so-called character development that happens. Not for a single second can you believe anything that the Tony character is going thru and especially his "growing up" scenes towards the end. Not only that but the entire music here is just really, really bad and we get too many scenes where we hear complete music numbers that just make your ears numb. This is especially true during the scenes of the Laura character in a bar singing. More bad stuff comes from the final stage production, which is just poorly shot and the entire thing just comes across as pure camp. Even Travolta is just missing a certain energy that was so clear in the original but I think this too can be blamed on the screenplay but that rawness is just missing here. I thought both Hughes and Rhodes were good in their parts but, again, the screenplay does very little for them. Those expecting anything nearly as good as Saturday NIGHT FEVER are going to be in for a major disappointment but if you go into the film expecting unintentional laughs and camp then you should at least be somewhat entertained.
** (out of 4)
Sylvester Stallone co-wrote and directed this sequel to Saturday NIGHT FEVER, which picks up five years after that film has Tony Manero (John Travolta) trying to make it as a chorus dancer on Broadway. His old time girlfriend Jackie (Cynthia Rhodes) puts up with his trouble but rich girl and star Laura (Finola Hughes) just uses him as she wants and soon Tony's going to have to decide on his future in both dancing and female. STAYING ALIVE is clearly a very, very bad movie but I think it crosses a line that makes it so campy that you can't help but have some fun with it. I'm really not sure what Stallone was thinking with his screenplay but it seems like he wanted to add in touches of ROCKY making Tony an underdog and this here just never works for a number of reasons. For starters, Tony is a complete jerk and his character just doesn't have the same appeal as Rocky. Another problem here is that the dialogue is so incredibly bad that you can't help but laugh at it as well as the so-called character development that happens. Not for a single second can you believe anything that the Tony character is going thru and especially his "growing up" scenes towards the end. Not only that but the entire music here is just really, really bad and we get too many scenes where we hear complete music numbers that just make your ears numb. This is especially true during the scenes of the Laura character in a bar singing. More bad stuff comes from the final stage production, which is just poorly shot and the entire thing just comes across as pure camp. Even Travolta is just missing a certain energy that was so clear in the original but I think this too can be blamed on the screenplay but that rawness is just missing here. I thought both Hughes and Rhodes were good in their parts but, again, the screenplay does very little for them. Those expecting anything nearly as good as Saturday NIGHT FEVER are going to be in for a major disappointment but if you go into the film expecting unintentional laughs and camp then you should at least be somewhat entertained.
- Michael_Elliott
- 2 ene 2013
- Enlace permanente
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- How long is Staying Alive?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 22,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 64,892,670
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,146,143
- 17 jul 1983
- Total a nivel mundial
- USD 64,893,329
- Tiempo de ejecución1 hora 33 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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What was the official certification given to Sobreviviendo (1983) in Mexico?
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