L'as des as
- 1982
- 1h 40min
CALIFICACIÓN DE IMDb
6.6/10
4.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaIn 1936, a French boxer on his way to the Berlin Olympic Games befriends a local Jewish boy and decides to save him from the Nazis.In 1936, a French boxer on his way to the Berlin Olympic Games befriends a local Jewish boy and decides to save him from the Nazis.In 1936, a French boxer on his way to the Berlin Olympic Games befriends a local Jewish boy and decides to save him from the Nazis.
- Premios
- 1 nominación en total
Sonya Tuchmann
- Sarah Rosenblum
- (as Sonja Tuchmann)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaBecause of its huge advertising campaign on bill boards and in metro stations 25 French critics called moviegoers to boycott L'AS DES AS. They argued that Belmondo would displace smaller, more important movies like Jacques Demy's UNE CHAMBRE EN VILLE. Belmondo answered in newspapers with the words of Jean Cocteau: "Critics like to blame those who hold their head a little bit higher than the others." And Belmondo added that he does movies only for audiences not for critics. A year later he said in an interview: "Critics say that my movies won't last. Who cares? I live now."
- ErroresThe coat of arms from the Romanian flag in front of the hotel where the French delegation has been accommodated was adopted only after 1965.
- ConexionesFeatured in Cinemania: I anodos kai i ptosi tou Nazismou (2008)
Opinión destacada
In 1982, when he made 'L'as des as' (the English title is 'Ace of Aces') Gérard Oury was a highly regarded director in France and had also gained an international reputation with action comedy films, including the best known of them 'La Grande Vadrouille' and 'Les aventures de Rabbi Jacob', both starring the formidable comedian Louis de Funès. 'L'as des as' tried to repeat the success of these films and used the heaviest possible artillery for this purpose, casting Jean-Paul Belmondo in the lead role. However, the success was only partial. The script failed to avoid the cliches and even a dose of melodrama. There are a few good and original ideas and plenty of gags (some good, some not so good) in this film, but there also many moments when the story drags on or seems terribly obsolete, now, almost 40 years after the film was made. Belmondo is Belmondo and largely carries the film on his shoulder, but even he fails to bring 'L'as des as' more than to the level of acceptable but not necessarily memorable comedy.
The story in the film takes place in 1936, in Germany, during the Olympics, an event that in that year was used by the Nazis as an opportunity for propaganda. The hero embodied by Belmondo named Jo Cavalier is the coach of the French boxing team, but also a former air force pilot during World War I. In the air battles he had befriended the German pilot Gunther von Beckmann (Frank Hoffmann) who had in the meanwhile become a general in the army , but also an opponent of Hitler. On the train carrying the French delegation to Berlin, he meets a Jewish boy, whose family is threatened by the Nazis' policies of racial discrimination. Cavalier, together with a beautiful journalist (Marie-France Pisier) and his German friend will intervene to save the boy and his family taking them over the border to the Austria still unoccupied by fascists. Of course, not all goes as planned. The truth is that more than half of the film develops a fairly conventional story and the comedy part is not great either. The idea of the lead hero protecting the orphaned child victim of the Nazis has been explored in many films from Chaplin's 'The Great Dictator' to Benigni's 'La vitta e bella'. The final part of the film, however, holds surprises and contains the comic sequences that seemed to me the best, those that approach the satirical sarcasm of Oury's best films. The Fuhrer himself and ... his sister (a double role played by Günter Meisner) will make an appearance, which for 1982 was a novelty, at least in the comic register, anticipating Taika Waititi, plus a little revisionist history a la Tarantino. This last part saves the film in my opinion and rewards the patience of those who get to it.
Belmondo's charm dominates the film. The actor was at the peak of his popularity and in a remarkable physical shape allowing him to perform many of the stunts by himself. The role of the eternal teenager with a big heart, enlisting for good causes against all adversity fits him perfectly. The team around him does its job professionally, but the script is a bit stereotypical, with a few successful jokes (especially about the Nazis) scattered from place to place. With 'L'as des as' Gérard Oury targeted a great entertainment film to repeat his successes from previous decades. The success was mixed right from the moment the film was released and the passage of time did not improve the place of this film in its filmography.
The story in the film takes place in 1936, in Germany, during the Olympics, an event that in that year was used by the Nazis as an opportunity for propaganda. The hero embodied by Belmondo named Jo Cavalier is the coach of the French boxing team, but also a former air force pilot during World War I. In the air battles he had befriended the German pilot Gunther von Beckmann (Frank Hoffmann) who had in the meanwhile become a general in the army , but also an opponent of Hitler. On the train carrying the French delegation to Berlin, he meets a Jewish boy, whose family is threatened by the Nazis' policies of racial discrimination. Cavalier, together with a beautiful journalist (Marie-France Pisier) and his German friend will intervene to save the boy and his family taking them over the border to the Austria still unoccupied by fascists. Of course, not all goes as planned. The truth is that more than half of the film develops a fairly conventional story and the comedy part is not great either. The idea of the lead hero protecting the orphaned child victim of the Nazis has been explored in many films from Chaplin's 'The Great Dictator' to Benigni's 'La vitta e bella'. The final part of the film, however, holds surprises and contains the comic sequences that seemed to me the best, those that approach the satirical sarcasm of Oury's best films. The Fuhrer himself and ... his sister (a double role played by Günter Meisner) will make an appearance, which for 1982 was a novelty, at least in the comic register, anticipating Taika Waititi, plus a little revisionist history a la Tarantino. This last part saves the film in my opinion and rewards the patience of those who get to it.
Belmondo's charm dominates the film. The actor was at the peak of his popularity and in a remarkable physical shape allowing him to perform many of the stunts by himself. The role of the eternal teenager with a big heart, enlisting for good causes against all adversity fits him perfectly. The team around him does its job professionally, but the script is a bit stereotypical, with a few successful jokes (especially about the Nazis) scattered from place to place. With 'L'as des as' Gérard Oury targeted a great entertainment film to repeat his successes from previous decades. The success was mixed right from the moment the film was released and the passage of time did not improve the place of this film in its filmography.
- dromasca
- 24 dic 2020
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Ace of Aces
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- FRF 40,000,000 (estimado)
- Tiempo de ejecución1 hora 40 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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By what name was L'as des as (1982) officially released in India in English?
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