Agrega una trama en tu idiomaA family man and a mob witness hunt for a hit-man who has mistakenly kidnapped the family man's son.A family man and a mob witness hunt for a hit-man who has mistakenly kidnapped the family man's son.A family man and a mob witness hunt for a hit-man who has mistakenly kidnapped the family man's son.
Argumento
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- TriviaFor several days, William Lustig directed the film from his limo, complaining about cold weather.
- ErroresMobster Luca taunts Agent Mitchum at the curb of the Gran Jury steps; in frustration Mitchum shoots Luca in the chest. The bullets slam Luca's body against the white limousine. The sliding actor's back slowly reveals a large rectangular dye pack trailing beside his left arm.
- Citas
Jack Collins: [about Caleek] That's the guy that killed Brian? That's the guy that's got my son?
Frank DeSalvo: Hey, Collins, that guy is so twisted when he dies you'll have to screw him in the ground. He's killed so many people he owns his own cemetery.
Jack Collins: Let's take him!
- ConexionesReferenced in Leyenda urbana (1998)
- Bandas sonorasBad News
Written by Robby Weaver and Rusty Weaver
(C) Burtus Publishing (EMI)
Opinión destacada
William Lustig certainly knows how to direct a gritty city based thriller; he succeeded admirably with the fantastically entertaining Maniac Cop series, and while Hit List isn't quite as memorable - it's still more than entertaining enough, and I'm sure any fan of Lustig's work won't regret tracking it down. It's slightly more serious overall than the majority of the rest of Lustig's filmography, although the director still manages to find time for some humour, and while the action isn't exactly groundbreaking - the film is, at least, not boring for a minute. The basis for the plot focuses on Vic Luca; a big-mouthed mob boss who is set to appear in court for his crimes. However, given his powers as the head of a criminal organisation, it's not difficult for him to track down and kill all the witnesses; much to the dismay of hard-bitten cop Tom Mitchum, who wants to see Luca rot in jail. The plot thickens when Luca's assassin Chris Caleek goes to kill witness Frank DeSalvo and ends up getting the wrong house, and kidnapping ordinary man Jack Collins' son...
William Lustig has put together a good cast for this film, with the likes of Lance Henriksen standing out the most and getting good support from memorable actors such as Charles Napier, Rip Torn, Jan-Michael Vincent and Leo Rossi. As he showed with the Maniac Cop films, Lustig certainly has an eye for atmosphere and this film revels in the same gritty urban feel as the earlier films did. I've got to say that I'm surprised this film isn't better known really; it may not have quite the same appeal that Maniac Cop did, but it's great fun and makes for easy viewing. The characters are all drawn in an intriguing manner, as no two are similar and thanks to the cast of character actors - all manage to be memorable in their own right. The film obviously had budget constraints as there's not a great deal of action sequences, and the ones that do feature aren't exactly over the top; but Lustig makes good use of his assets, and Hit List could have been a lot worse. It all boils down to a conclusion that isn't hard to see coming, but its good fun getting there and overall, I won't hesitate to recommend this film to anyone who can find it.
William Lustig has put together a good cast for this film, with the likes of Lance Henriksen standing out the most and getting good support from memorable actors such as Charles Napier, Rip Torn, Jan-Michael Vincent and Leo Rossi. As he showed with the Maniac Cop films, Lustig certainly has an eye for atmosphere and this film revels in the same gritty urban feel as the earlier films did. I've got to say that I'm surprised this film isn't better known really; it may not have quite the same appeal that Maniac Cop did, but it's great fun and makes for easy viewing. The characters are all drawn in an intriguing manner, as no two are similar and thanks to the cast of character actors - all manage to be memorable in their own right. The film obviously had budget constraints as there's not a great deal of action sequences, and the ones that do feature aren't exactly over the top; but Lustig makes good use of his assets, and Hit List could have been a lot worse. It all boils down to a conclusion that isn't hard to see coming, but its good fun getting there and overall, I won't hesitate to recommend this film to anyone who can find it.
- The_Void
- 11 dic 2006
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- How long is Hit List?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Hell to Pay
- Locaciones de filmación
- Evergreen Cemetery - 204 North Evergreen Avenue, Los Ángeles, California, Estados Unidos(Opening cemetery sceen)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,564
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,195
- 5 mar 1989
- Total a nivel mundial
- USD 4,564
- Tiempo de ejecución1 hora 27 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Hit List (1989) officially released in Canada in English?
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