CALIFICACIÓN DE IMDb
6.1/10
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TU CALIFICACIÓN
Un asesor de imagen infeliz y antipático obtiene una segunda oportunidad en la vida al encontrarse misteriosamente con una versión de sí mismo con ocho años de edad.Un asesor de imagen infeliz y antipático obtiene una segunda oportunidad en la vida al encontrarse misteriosamente con una versión de sí mismo con ocho años de edad.Un asesor de imagen infeliz y antipático obtiene una segunda oportunidad en la vida al encontrarse misteriosamente con una versión de sí mismo con ocho años de edad.
- Premios
- 1 premio ganado y 3 nominaciones en total
Daniel von Bargen
- Sam Duritz
- (as Daniel Von Bargen)
Vernee Watson
- Newsstand Cashier
- (as Vernee Watson Johnson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaMatthew Perry: After striking up a friendship with Bruce Willis on the set of Un vecino peligroso (2000), Perry accepted the role of the shaggy haired and heavily bearded Mr Vivian. He spent 3 hours in makeup for the part which lasts less than 40 seconds on screen. He also accepted minimum wage for the role and went uncredited.
- ErroresRuss and Rusty are supposed to be the same person however Bruce Willis (Russ) is left handed while Spencer Breslin (Rusty) is right handed. This is especially noticeable when Russ and Rusty are playing cards on the balcony but can also be seen when the characters are doing other things such as eating.
- Citas
Rusty Duritz: So, I'm forty, I'm not married, I don't fly jets, and I don't have a dog?
[long pause]
Rusty Duritz: I grow up to be a loser.
- Créditos curiososAt the end of the movie there is an explanation for why the moon appears orange when it rises. This is a reference to a question posed to Russ Duritz by his 8-yr.-old alter ego, which Russ later asks his assistant to check on.
Opinión destacada
The Kid - At 39 years old Russel Duritz has a life that most men would envy - he has a great job, is respected (and feared), has a beautiful house and makes buckets of money. But everything comes at a cost, in this case no social life, no conscience and a fear of spending the rest of his life alone. He just needs someone to show him the way.
As I watched the movie, I kept wondering why Disney didn't pass this film on to Miramax - not because it's particularly daring or edgy, but because it is clearly a movie for adults. This is exacerbated by the marketing campaign which is clearly targeting children - it is lumped in with trailers for "Rugrats the Movie", and "Pokemon 2000" (aren't they passe yet?). But I quibble.
I was impressed by the sensitive treatment of the subject matter - rather than the typical male midlife crisis that involves some pathetic sap buying a Porsche convertible and acting like a moron, Willis' character undertakes some serious introspection and takes stock of his life. His guide on this journey of self-discovery is himself at age 8 (they never explain how Rusty arrives and frankly, I didn't care). Young Rusty's innocence and unbridled optimism give him a distinct advantage in divining the truth - he sums up Russell's job as an image consultant thusly, "You teach people how to lie and pretend to be something they aren't". In order for a good script to succeed, however, you need actors to bring it to life. Not a problem here.
Although Willis has thrice ignored W.C. Fields' warnings about starring with children or animals he has lucked out once again, meshing as well comedically with Breslin as he did dramatically with Osment. Willis manages to balance Russell's cutthroat powerbroker traits with vulnerability and confusion, without becoming ridiculous. Breslin meanwhile gives a dead on portrayal of a kid from everyone's childhood - the one that always stuck out for some reason and got picked on. We also get two bonus performances: Lily Tomlin is great as Russell's levelheaded assistant and Jean Smart is perfect as an insightful charming anchorwoman (I loved her in "Guinevere").
The Kid is charming, heavy, and real. And it will appeal to adults of all ages.
As I watched the movie, I kept wondering why Disney didn't pass this film on to Miramax - not because it's particularly daring or edgy, but because it is clearly a movie for adults. This is exacerbated by the marketing campaign which is clearly targeting children - it is lumped in with trailers for "Rugrats the Movie", and "Pokemon 2000" (aren't they passe yet?). But I quibble.
I was impressed by the sensitive treatment of the subject matter - rather than the typical male midlife crisis that involves some pathetic sap buying a Porsche convertible and acting like a moron, Willis' character undertakes some serious introspection and takes stock of his life. His guide on this journey of self-discovery is himself at age 8 (they never explain how Rusty arrives and frankly, I didn't care). Young Rusty's innocence and unbridled optimism give him a distinct advantage in divining the truth - he sums up Russell's job as an image consultant thusly, "You teach people how to lie and pretend to be something they aren't". In order for a good script to succeed, however, you need actors to bring it to life. Not a problem here.
Although Willis has thrice ignored W.C. Fields' warnings about starring with children or animals he has lucked out once again, meshing as well comedically with Breslin as he did dramatically with Osment. Willis manages to balance Russell's cutthroat powerbroker traits with vulnerability and confusion, without becoming ridiculous. Breslin meanwhile gives a dead on portrayal of a kid from everyone's childhood - the one that always stuck out for some reason and got picked on. We also get two bonus performances: Lily Tomlin is great as Russell's levelheaded assistant and Jean Smart is perfect as an insightful charming anchorwoman (I loved her in "Guinevere").
The Kid is charming, heavy, and real. And it will appeal to adults of all ages.
- Shiva-11
- 10 jul 2000
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Kid
- Locaciones de filmación
- 104 Fremont Place, Los Ángeles, California, Estados Unidos(Kenny's House)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 65,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 69,691,949
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,687,726
- 9 jul 2000
- Total a nivel mundial
- USD 110,317,580
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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