Agrega una trama en tu idiomaA straight man's life becomes disastrous - and obsessively dangerous - when his family, fiancee and friends all begin to reject him after he realizes he has fallen in love with another man.A straight man's life becomes disastrous - and obsessively dangerous - when his family, fiancee and friends all begin to reject him after he realizes he has fallen in love with another man.A straight man's life becomes disastrous - and obsessively dangerous - when his family, fiancee and friends all begin to reject him after he realizes he has fallen in love with another man.
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- Créditos curiososAnd a very Special Thanks to President George W. Bush and his motorcade for disrupting 3 hours of our shoot and not giving equal rights to ALL Americans.
- ConexionesFeatured in Well Isn't That Queer 2: The Making of 'November Son' (2009)
- Bandas sonorasCatch Me (I'm Falling)
Written by Jade Starling / Whey Cooler (Starling/Cooler) ASCAP
Performed by Pretty Poison featuring Jade Starling
Courtesy of Chemikal Entertainment Group
Opinión destacada
Jason Paul Collum both wrote and directed this little film that resembles a gay 'Fatal Attraction' without the benefit of a tight script, good actors, suspense, or sophisticated effects and camera work. Sadly it boils down to a fifteen-minute story spread out over an almost interminable 2 hours.
The story involves on Corin (Sean Michael Lambrecht), a 30-year old ad exec in a five-year bumpy relationship with 23-year old party boy Jake (Jeff Dylan Graham). Corin's boss and friend Nancy (Brinke Stevens) understands Corin all too well, appreciates his relationship, but in attempting to relieve his work duties hires an assistant Elliot (Jerod Howard), a gender confused nerdy lad who is engaged to his lifelong chum Marti (Tina Ona Paukstelis) in a push from his mother (Judith O'Dea) to make things 'right'. Elliot is befriended by Corin, brought into Corin's and Jake's friendship, and Elliot and Marti and Corin and Jake begin socializing. Elliot falls for Corin, comes out of the closet to the extreme dismay of Marti and his mother, and despite Elliot's friendship with Corin and Jake, he begins to stalk Corin. Corin's rebuff of his advances leads to disaster and the film tumbles downhill from there.
Yes, some may view this weak little foray as being full of statements about love, obsession, relationships, and friendships, but all of that has been said far better before and without the seemingly tacked on genre of a horror film. The acting from the women in the film is good, but the men are blunted stereotypes. Everything about the film screams low budget. One annoying factor - a music score that sounds like lessons on electronic keyboards and obscures a lot of the dialogue - turns out to be a blessing in that the weak script is covered frequently. Most viewers will utilize the fast forward button to get through the repetitious dialogue and race for the end, a predictable, stagy tableaux that really doesn't resolve anything. Not worth two hours of your viewing time.
The story involves on Corin (Sean Michael Lambrecht), a 30-year old ad exec in a five-year bumpy relationship with 23-year old party boy Jake (Jeff Dylan Graham). Corin's boss and friend Nancy (Brinke Stevens) understands Corin all too well, appreciates his relationship, but in attempting to relieve his work duties hires an assistant Elliot (Jerod Howard), a gender confused nerdy lad who is engaged to his lifelong chum Marti (Tina Ona Paukstelis) in a push from his mother (Judith O'Dea) to make things 'right'. Elliot is befriended by Corin, brought into Corin's and Jake's friendship, and Elliot and Marti and Corin and Jake begin socializing. Elliot falls for Corin, comes out of the closet to the extreme dismay of Marti and his mother, and despite Elliot's friendship with Corin and Jake, he begins to stalk Corin. Corin's rebuff of his advances leads to disaster and the film tumbles downhill from there.
Yes, some may view this weak little foray as being full of statements about love, obsession, relationships, and friendships, but all of that has been said far better before and without the seemingly tacked on genre of a horror film. The acting from the women in the film is good, but the men are blunted stereotypes. Everything about the film screams low budget. One annoying factor - a music score that sounds like lessons on electronic keyboards and obscures a lot of the dialogue - turns out to be a blessing in that the weak script is covered frequently. Most viewers will utilize the fast forward button to get through the repetitious dialogue and race for the end, a predictable, stagy tableaux that really doesn't resolve anything. Not worth two hours of your viewing time.
- gradyharp
- 17 ago 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The only one i ever loved (le seul que j'aie jamais aimé)
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000 (estimado)
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
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