CALIFICACIÓN DE IMDb
6.1/10
16 k
TU CALIFICACIÓN
Un pistolero sin nombre llega a un pueblo destrozado por pandillas rivales y, aunque ambas lo cortejan para que se una, elige su propio camino.Un pistolero sin nombre llega a un pueblo destrozado por pandillas rivales y, aunque ambas lo cortejan para que se una, elige su propio camino.Un pistolero sin nombre llega a un pueblo destrozado por pandillas rivales y, aunque ambas lo cortejan para que se una, elige su propio camino.
- Premios
- 4 premios ganados y 5 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe background for the artificial set in the prologue is clearly inspired by the woodblock prints "Gaifu Kaisei" and "Sanka Haku" featured in Hokusai's famous "Thirty Six Views of Mount Fuji" series.
- ErroresIn the final scene, the Gunman goes from having a mustache and goatee to being clean shaven between shots.
- Versiones alternativasThe international cut version, shorter by 23 minutes, omits several scenes for pacing reasons and also all the scenes where the big Genji/Minamoto henchman after having his balls shot off develops a crush for his leader Yoshitsune. This version was screened at several film festivals and is featured on most of the DVD releases outside of Japan.
- ConexionesReferenced in Django sin cadenas (2012)
- Bandas sonorasDjango ~Sasurai~
Performed by Saburô Kitajima
Written by Makoto (as MAKOTO°), Franco Migliacci and Robert Mellin
Composed by Luis Bacalov (as Luis Enrique Bacalov)
Arranged by Eiji Kawamura
Opinión destacada
Sukiyaki Western Django (2007)
** (out of 4)
Quentin Tarantino in a Takashi Miike homage to Spaghetti Westerns is going to be enough to get a few curious people to watch but I must rip off a few reviews I've read, which called this film different but not very entertaining. In what's basically a remake of Akira Kurosawa's Yojimbo, a mysterious gunfighter (Ito Hideaki) with no name shows up and plays two rival gangs against one another. If someone was to call this the greatest movie ever made I honestly wouldn't argue with them. I'm sure many are going to watch this film and consider it a masterpiece and I would respect their opinion just about as much as I respect Miike for trying something like this. However, the movie just didn't work for me. This is basically an incredibly bizarre homage to countless Westerns done in a way that Tarantino pays homage to various genres in this country but I might go a step further and say Miike is much more original than Tarantino has ever been. I think this film, for what it is, is incredibly original and at times visually brilliant but as much credit as I give to Miike I have to give him just as much blame. For some reason he felt it would be a good idea to have the Japanese actors speak English, which was a deadly mistake. Sure, this adds a surreal nature to the film but the problem is that a lot of the times you can't understand what they're saying. This film is full of dialogue and when you can't understand a quarter of it then you're going to be in trouble. This also effects the performances as the spoken dialogue is just as bad as watching a dubbed Kurosawa film. As is to be expected, the movie is full of violence but most of it is done in a comical way and that includes one man getting shot up while his wife holds his dying body. Tarantino doesn't add too much to the film either. In the end this is a film I highly respect but there's just no way I will ever find myself watching it again.
** (out of 4)
Quentin Tarantino in a Takashi Miike homage to Spaghetti Westerns is going to be enough to get a few curious people to watch but I must rip off a few reviews I've read, which called this film different but not very entertaining. In what's basically a remake of Akira Kurosawa's Yojimbo, a mysterious gunfighter (Ito Hideaki) with no name shows up and plays two rival gangs against one another. If someone was to call this the greatest movie ever made I honestly wouldn't argue with them. I'm sure many are going to watch this film and consider it a masterpiece and I would respect their opinion just about as much as I respect Miike for trying something like this. However, the movie just didn't work for me. This is basically an incredibly bizarre homage to countless Westerns done in a way that Tarantino pays homage to various genres in this country but I might go a step further and say Miike is much more original than Tarantino has ever been. I think this film, for what it is, is incredibly original and at times visually brilliant but as much credit as I give to Miike I have to give him just as much blame. For some reason he felt it would be a good idea to have the Japanese actors speak English, which was a deadly mistake. Sure, this adds a surreal nature to the film but the problem is that a lot of the times you can't understand what they're saying. This film is full of dialogue and when you can't understand a quarter of it then you're going to be in trouble. This also effects the performances as the spoken dialogue is just as bad as watching a dubbed Kurosawa film. As is to be expected, the movie is full of violence but most of it is done in a comical way and that includes one man getting shot up while his wife holds his dying body. Tarantino doesn't add too much to the film either. In the end this is a film I highly respect but there's just no way I will ever find myself watching it again.
- Michael_Elliott
- 13 nov 2008
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Detalles
Taquilla
- Presupuesto
- USD 3,800,000 (estimado)
- Total en EE. UU. y Canadá
- USD 50,659
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,856
- 31 ago 2008
- Total a nivel mundial
- USD 2,725,258
- Tiempo de ejecución2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Sukiyaki uesutan Jango (2007) officially released in India in English?
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