And Soon the Darkness

Workably well-made, but unremarkable pot-boiler remake of the 1970 British version. This time it takes place in Argentina with two American girls on a cycling trip, compared with the original having two British girls cycling in the French countryside. One of the girls goes missing, leaving the other friend on a desperate search to find her. The simplistic narrative is routine as can be, dealing with alienation and paranoia of being a fish-out-of-water. Still rather under-written. While it might start off lousy and not surprise with its lack of twists (as the mystery does eventually loose some steam), it remains effectively sustainable in making you uncomfortable in its foreign surroundings… where it's hard to know just who to trust, as no one wants to get involved even though the suspicions are there that the locals (you know those long stares) might just know what is going on. Desperation and danger fills every inch of space as details become clear for the protagonists. The direction is intrusively slick and pacing slow-going, but this only adds to the unsettling atmosphere and breath-taking mountainous scenery. Other than Amber Heard's commendable performance, the scenic photography also is a true scene stealer. The lush sights are a marvel and only compliment the underlining threat of this idyllically forlorn retreat. After such a sturdy progression and falling into contrived developments, it breaks away in the final acts with some intense cat and mouse moments but never fully tapping in to the suspense of the predicament. The cast give well rounded performances, even though their thin characters are descriptively black and white. Heard is impressive in the lead role, while Odette Annable provides plenty of energy. A disconnected Karl Urban shows up as a mysterious stranger (though foreseeable to where his character's ends up in the plot) and Cesar Vianco (with that icy stare) plays the town's officer. Underdone, but modest travel thriller.

"He looks… responsible."