Luego de que experimentaran con él, un mercenario se vuelve inmortal pero feo, y se propone rastrear al hombre que arruinó su apariencia.Luego de que experimentaran con él, un mercenario se vuelve inmortal pero feo, y se propone rastrear al hombre que arruinó su apariencia.Luego de que experimentaran con él, un mercenario se vuelve inmortal pero feo, y se propone rastrear al hombre que arruinó su apariencia.
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How the 'Deadpool 2' Stars Would Audition for X-Force
How the 'Deadpool 2' Stars Would Audition for X-Force
Deadpool 2 stars Josh Brolin, Zazie Beetz, Julian Dennison, and director David Leitch reveal which skills they would bring to the X-Force team.
Argumento
¿Sabías que…?
- TriviaThrough the Make-A-Wish Foundation, 13-year-old Connor McGrath, a terminally ill fan from Edmonton, requested to attend the special event for Deadpool (2016) in January, which turned out to be one of the two special screenings in New York and Los Angeles for the fans. He couldn't make it, due to the severity of his illness. Ryan Reynolds heard his story, traveled to Edmonton, and surprised him with a private special screening of the film. Reynolds said the boy was the first person ever to see the film. They kept in touch until Connor's passing a few months later. Reynolds paid tribute to him on his social media pages.
- Errores(at around 51 mins) Angel Dust can withstand full punches from Colossus in his armored steel form, but she flinches in pain from a head-butt from a very human Wade, which is used to explain how he steals her matchstick.
- Créditos curiososThe opening credits are placeholders for what was in the script. "As written by Deadpool"; "Some douchebag's film, Starring God's perfect idiot (referring to Ryan. Accompanied by an Easter Egg of Ryan's People Magazine cover as Sexiest Man Alive); "A hot chick"; "A British villain"; "The comic relief"; "A moody teen"; "A CGI character"; "A gratuitous cameo"; "Produced by asshats"; "Written by the real heroes here"; "Directed by an overpaid tool". There are Easter Eggs as well: The card in the wallet of Ryan in a green suit, the thug with the lighter was originally a filmed joke in reference to Colin Farrell in Daredevil: El hombre sin miedo (2003), "Rob L." on the coffee cup is Rob Liefeld, the little sex key-chain, the Orange Number 5 card, and the Hello Kitty.
- Versiones alternativasThe theatrical and DVD releases were censored by the CBFC in India to secure an A rating (restricted to adults i.e. 18+):
- 'Asshole', 'motherfucker', 'balls', 'blowjob', 'touching myself', '24 ball gags', 'vagina', 'bitch', 'dick', 'suck a cock', 'testicles' and 'dildo' were all muted.
- The triple head-shot in the highway fight was removed.
- Nudity, thrusting and innuendos were removed from the sex scene.
- Deadpool cutting his hand off was removed and replaced with shots of Colossus.
- A poster showing a woman touching her vagina was removed.
- Shots of naked women in the strip club were removed.
- Blood and gore in the final fight was removed.
- Anti-smoking disclaimers and a health spot were added to the beginning and middle of the film. Static, scrolling messages were also added whenever a character is shown smoking.
- ConexionesEdited from X-Men III: La batalla final (2006)
- Bandas sonorasAngel Of The Morning
Written by Chip Taylor
Performed by Juice Newton
Mixed by Michael Verdick (uncredited)
Courtesy of Capitol Records Nashville under license from Universal Music Enterprises
Opinión destacada
I really, really liked Deadpool. And you know what? I didn't expect to. Seriously, I was never a fan of the character (in the sense that I hardly knew anything about him) and the humor as well as the violence seemed forced and overdone in the trailers. Still, I remained interested in the film, I just never expected it to actually be good - until the reviews arrived. After most critics unexpectedly showered this newest superhero movie with praise, I went in cautiously optimistic (but still fully prepared to hate the film).
The first thing I noticed was how inventive the storytelling is. The film throws you into the action from the first moment (literally: the very first moment) and then it goes back and forth in brilliant and unexpected ways to slowly unspool the story of this insane - but oddly charming - antihero. Flashbacks and fast-forwards can be annoying as hell, but when done right, they can help render even a somewhat simple story fresh and exciting. And that's exactly how Deadpool felt to me right from the start: like a fresh (if somewhat dirty) jolt of energy.
The action itself is beautifully designed, employing playful visuals and using pretty much every camera technique available; it never feels repetitive and the pacing is close to perfection. But, and that was probably the key to me liking the film so much, there's a beating heart underneath all the action and carnage, and that has a lot to do with how brilliantly Ryan Reynolds portrays the character and the great chemistry he has with co-star Morena Baccarin. What came as a complete surprise to me was how unabashedly romantic Deadpool is. The love story in this film is probably the most sincere I've ever seen in a superhero movie and it gives the film the strong emotional core which so many of these movies lack.
The humor, which I initially feared would just be non-stop juvenile wisecracks and soon become distracting, also works surprisingly well. Not every line or every joke lands - but that's the beauty of this character: they don't really need to. Deadpool can't help himself; as long as he's able to breathe he'll crack wise and make fun of himself and those around him. It's a clinical condition; he's not a stand-up comedian whose jokes need to land: he's a madman (albeit a very entertaining one) and the comedy in his case is born out of tragedy.
Despite all my praise, it's not a perfect film. The villain in this revenge tale could be more memorable and the story itself is a bit too derivative to really do its highly unconventional protagonist (he insists he's not a hero) justice: but it's a damn good first entry in a franchise that will hopefully explore the character and his world to a much larger extent in the sequel(s). And it's actually a very important film for another reason. If Deadpool is a financial success - which at this point is already clear it will be - this could play a vital role in how studios henceforth view the financial prospects of R-rated superhero films, and we'll hopefully see more of them in the future.
Many people might feel different - and I respect their opinion - but I've grown tired of the entirely bloodless CGI overkill in all those 200 million productions where even the most terrible villains talk like Mormon schoolgirls. I mean: there's a gigantic audience out there that is over the age of 18, loves to read comic books and can absolutely handle real-world language, real-world sex and real-world violence in superhero movies. This genre is so diverse; it's ridiculous to believe just because comic books have pictures in them all film adaptations - regardless of the material - must automatically be made for kids in order to be successful.
As it is, I think Deadpool - a dirty, funny, sexy and violent film which is decidedly NOT for kids - just proved my point perfectly. 8 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/
The first thing I noticed was how inventive the storytelling is. The film throws you into the action from the first moment (literally: the very first moment) and then it goes back and forth in brilliant and unexpected ways to slowly unspool the story of this insane - but oddly charming - antihero. Flashbacks and fast-forwards can be annoying as hell, but when done right, they can help render even a somewhat simple story fresh and exciting. And that's exactly how Deadpool felt to me right from the start: like a fresh (if somewhat dirty) jolt of energy.
The action itself is beautifully designed, employing playful visuals and using pretty much every camera technique available; it never feels repetitive and the pacing is close to perfection. But, and that was probably the key to me liking the film so much, there's a beating heart underneath all the action and carnage, and that has a lot to do with how brilliantly Ryan Reynolds portrays the character and the great chemistry he has with co-star Morena Baccarin. What came as a complete surprise to me was how unabashedly romantic Deadpool is. The love story in this film is probably the most sincere I've ever seen in a superhero movie and it gives the film the strong emotional core which so many of these movies lack.
The humor, which I initially feared would just be non-stop juvenile wisecracks and soon become distracting, also works surprisingly well. Not every line or every joke lands - but that's the beauty of this character: they don't really need to. Deadpool can't help himself; as long as he's able to breathe he'll crack wise and make fun of himself and those around him. It's a clinical condition; he's not a stand-up comedian whose jokes need to land: he's a madman (albeit a very entertaining one) and the comedy in his case is born out of tragedy.
Despite all my praise, it's not a perfect film. The villain in this revenge tale could be more memorable and the story itself is a bit too derivative to really do its highly unconventional protagonist (he insists he's not a hero) justice: but it's a damn good first entry in a franchise that will hopefully explore the character and his world to a much larger extent in the sequel(s). And it's actually a very important film for another reason. If Deadpool is a financial success - which at this point is already clear it will be - this could play a vital role in how studios henceforth view the financial prospects of R-rated superhero films, and we'll hopefully see more of them in the future.
Many people might feel different - and I respect their opinion - but I've grown tired of the entirely bloodless CGI overkill in all those 200 million productions where even the most terrible villains talk like Mormon schoolgirls. I mean: there's a gigantic audience out there that is over the age of 18, loves to read comic books and can absolutely handle real-world language, real-world sex and real-world violence in superhero movies. This genre is so diverse; it's ridiculous to believe just because comic books have pictures in them all film adaptations - regardless of the material - must automatically be made for kids in order to be successful.
As it is, I think Deadpool - a dirty, funny, sexy and violent film which is decidedly NOT for kids - just proved my point perfectly. 8 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/
- gogoschka-1
- 11 feb 2016
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Detalles
Taquilla
- Presupuesto
- USD 58,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 363,070,709
- Fin de semana de estreno en EE. UU. y Canadá
- USD 132,434,639
- 14 feb 2016
- Total a nivel mundial
- USD 782,837,347
- Tiempo de ejecución1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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