Optics

The second episode feels more like part of what they couldn't re-record. If you were aware of the situation before, it was originally going to focus more on lawyers than vigilantes, and this episode kind of reflects that.

I'm not a fan of Daredevil being so obvious about his identity, unlike how he was in the Netflix show. He feels more like the She-Hulk version of Daredevil than the one from Netflix. I get that it's something new, but I'm still waiting for the show to truly kick off.

As for Matt's new girlfriend, without taking anything away from the actress, she has no personality. She seems to come out of nowhere, and she's kind of like the new Karen-in big quotation marks.

The fact that the characters still feel somewhat scattered makes sense, given that the series is just getting started. And sure, the excuse that it's a new show works-especially if you're expecting it to be a fourth season of the Netflix show, which it's clearly not.

The final scene was solid-good action-but once again, this Daredevil feels a lot like Tom Holland's Peter Parker. He doesn't do a great job keeping his identity secret, and that's strange to see, especially considering how in the previous series, he was so committed to keeping it hidden. He would even take beatings from Fisk and other secondary characters just to maintain the illusion that he was blind in public.

Yes, I know there's a scene in prison in Netflix Daredevil Season 3 where he fights a bunch of inmates, but they didn't know he was blind. In this case, it just didn't work as well.

Overall, the series still feels very fast-paced.

MASS-

When "Daredevil: Born Again" was first announced, it was intended to be a fresh take on the Man Without Fear, a reinvention rather than a direct continuation of the acclaimed Netflix series. However, midway through production, Marvel pivoted, choosing to embrace the legacy of the original show rather than fully start anew. The first episode felt very much like a bridge between the two versions, laying the groundwork for Matt Murdock's return while respecting the history that came before. Episode 2, "Optics," begins to carve out a more independent path while still maintaining the essence of its predecessor, balancing character-driven storytelling with compelling ethical dilemmas.

This episode dives deep into the legal and moral complexities that made the original "Daredevil" series so engaging. Matt's decision to defend Hector Ayala, a vigilante accused of a crime he didn't commit, reintroduces the procedural elements that always gave "Daredevil" an extra layer of depth. Justice and corruption collide in gripping fashion, forcing Matt to confront the blurred lines between law and morality. Meanwhile, Wilson Fisk's new role as mayor presents its own set of challenges, highlighting both his strategic brilliance and the vulnerabilities that come with his thirst for control. These intertwining storylines make for a tense and thought-provoking episode that stays true to the show's thematic roots. The character development here is particularly strong. Matt's return to legal defense feels like a natural progression, showing how his two identities - lawyer and vigilante - continue to be at odds with one another. Fisk's storyline, meanwhile, effectively showcases his ability to manipulate those around him while also revealing the cracks in his foundation. However, not every character gets the same level of attention. Some figures remain in the background, not yet fully stepping into their roles within this new iteration of "Daredevil." While this is understandable given the pacing of a serialized story, it does leave certain supporting characters feeling somewhat underdeveloped at this stage. What truly elevates "Daredevil: Born Again" is its cast. Charlie Cox and Vincent D'Onofrio once again prove why they are the definitive Matt Murdock and Wilson Fisk, respectively. Their performances bring a weight and prestige to the material, making even the quieter moments compelling.

"Optics" is a solid entry that continues to refine "Daredevil: Born Again"'s identity. It honors the legacy of the Netflix series while also hinting at the show's original vision, creating a unique blend of the familiar and the new. With strong performances, compelling ethical dilemmas, and a deeper dive into the consequences of justice and corruption, this episode keeps the momentum going.

Thanks for less music. Its a necessary thing, "less music" in the background so that audience could grasp what characters are actually saying, its called building tension. Second episode focuses on Matt's present. Really like the girl who's portraying the therapist. Reminds me of Matt's mother found in DD season 3 . Little Soprano is Adorable and same thing can be applied to bb news . Its important for the story to take pace now that Fisk says he's a changed man .

He said it even standing besides Vennessa He wouldn't kill (someone) Venessa got in with Yes , i am taking Matt's side . The dude Playing White Tiger is Acting really well . He's showing every sign of a struggling vigilantes..

Matthew Murdoch 's quoting Church Agaaain! Oof what a relief, i hope that part stays present in a little manner every episode. This episode feels much more natural than the episode 1 .

They added no flying cgi in it Action was there only at the end . That was pretty quick & neat af.

Not gonna lie, I wasn't a fan of the first episode and in my review of it, I left it so. However this episode is a major improvement over the first, dialogues are more nuanced, things the characters do are far deeper reaching making connections to the greater narrative, fight scenes and fight choreography are amazing, almost reminiscent of the original netflix show in their executions.

Twists and turns everywhere in the story, show returning to its grittier and darker roots when to comes to storytelling and action.

A bit of wishful thinking, if only the entire season released at once, sucks waiting for new episodes after a banger like this.

In this episode, we see Matt take on a case while the show establishes its direction, with the two leads navigating the lanes they have chosen-one through political power and the other through the courts.

A new comic book hero is introduced, hinting at the possible trajectory of the story. Additionally, there's a callback to another Marvel hero from the Netflix era, subtly addressing real-world controversies surrounding the character's image in certain toxic spheres. This moment suggests that we might see this character return soon, providing insight into his possible motivations.

The fight scenes are brutally intense-bone-crunching hits and broken limbs feel visceral, making audiences flinch with every blow. The sound editing is exceptional in these sequences, amplifying the realism. While the first half of the episode plays out like a standard TV drama, the second half picks up significantly, delivering action and intrigue.

It also seems like the show will explore themes of political toxicity and the structural flaws within law and order. Many scenes feel ripped from real-world events, capturing the influence of politicians and the dangerous allure of cult-like personalities. With gripping action and layered storytelling, this episode sets the stage for a compelling season ahead.