Sigue la vida de la mayor cantante de ópera del mundo, Maria Callas, durante sus últimos días en el París de los años setenta.Sigue la vida de la mayor cantante de ópera del mundo, Maria Callas, durante sus últimos días en el París de los años setenta.Sigue la vida de la mayor cantante de ópera del mundo, Maria Callas, durante sus últimos días en el París de los años setenta.
- Premios
- 4 premios ganados y 22 nominaciones en total
Erophilie Panagiotarea
- Young Yakinthi
- (as Erofili Panagiotarea)
Lyès Salem
- Waiter
- (as Lyes Salem)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
How 'Maria' Bonded Angelina Jolie and Pablo Larraín
How 'Maria' Bonded Angelina Jolie and Pablo Larraín
Angelina Jolie and director Pablo Larraín discuss how they connected to the heartbreaking true story of the world-renowned opera singer Maria Callas.
Argumento
¿Sabías que…?
- TriviaAngelina Jolie, refusing to be dubbed and wishing to perform her own singing, took 7 months of opera lessons to prepare for her role. For the scenes set during Callas' heyday, an estimated 90 to 95 percent of Callas' original recordings were used, with Jolie lip-synching along to these songs. However, Jolie's singing comes to the fore during the film's final act.
- ErroresIn the third part of the movie, a Citroën 2cv Charleston gray-black is parked in the background. The car was first presented on the Paris Carshow in 1980, 3 years after La Callas death..
- Citas
Maria Callas: Book me a table at a café where the waiters know who I am. I'm in the mood for adulation.
- ConexionesReferenced in Close-Up: Why do We Need the Venice Film Festival? (2024)
- Bandas sonorasOtello Act 4: 'Ave Maria' (Desdemona)
Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire
Conductor: Nicola Rescigno
Written by Giuseppe Verdi, Arrigo Boito
A Warner Classics Release, (p) 1964 Parlophone Records Limited
Remastered 2014 Parlophone Records Limited
Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group Company
Opinión destacada
I agree with blanche-2 and other reviewers, as a former opera student for many years and opera lover and connoisseur.
This may be a delight for those who like Angelina Jolie and like to see a beatiful face on screen, but nothing here resembles the unique quality of divine Maria.
For starters, this is the worse lip-sync I have seen in my life in a biopic of a singer, and it was a surprise that a movie supposed to be a first-rate production went ahead ignoring this major failure. After all, singing is to the essence of the film, it is not a secondary scene. And if you want to recreate Callas life using real recordings, the performative effort must be flawless. Of course it is as hard as demanding, but if you want to compare Jolie's playback what a remarkable, well-executed example, please watch La Mome, the biopic about Edith Piaf, and find delight in Marion Cotillard's perfect, unbelievably good execution. (Jolie's lack of sync is as unbelievable.)
Then, the physique du role. Jolie is one of the most beautiful actresses of our time. But it has physical disparities with Callas which cannot be solved with make-up, and the lack of resemblance spoils the effort. Callas's beauty was tempered, life-chiseled, acquired, a result of a deep effort at self-awareness and self-hardening and reshaping her destiny. That kind of subjective process simply «showed» in her regal attitude, and imposing scenic presence. Jolie is a born beauty, her beauty a gift given from the start, and, in my opinion, she did not manage to convey the dramatic depth of Callas's appeal enough as to create the magical impression that we are seeing a credible Callas.
Also, for those who love opera, Jolie's embouchure (the singers' «mouth mould») is a joke, nothing close to the unmistaken bel canto mouth frame which opera singers (and Callas) distinctively employ. It may seem an unimportant detail, but the sum of inconsistencies and lack of attention to detail ends up being irritating.
I have not listed other observations already pointed by reviewers, which which I concur, related to the use of music score, plot and realism. I really wanted to like the movie, but it was a total disappointment to me.
This may be a delight for those who like Angelina Jolie and like to see a beatiful face on screen, but nothing here resembles the unique quality of divine Maria.
For starters, this is the worse lip-sync I have seen in my life in a biopic of a singer, and it was a surprise that a movie supposed to be a first-rate production went ahead ignoring this major failure. After all, singing is to the essence of the film, it is not a secondary scene. And if you want to recreate Callas life using real recordings, the performative effort must be flawless. Of course it is as hard as demanding, but if you want to compare Jolie's playback what a remarkable, well-executed example, please watch La Mome, the biopic about Edith Piaf, and find delight in Marion Cotillard's perfect, unbelievably good execution. (Jolie's lack of sync is as unbelievable.)
Then, the physique du role. Jolie is one of the most beautiful actresses of our time. But it has physical disparities with Callas which cannot be solved with make-up, and the lack of resemblance spoils the effort. Callas's beauty was tempered, life-chiseled, acquired, a result of a deep effort at self-awareness and self-hardening and reshaping her destiny. That kind of subjective process simply «showed» in her regal attitude, and imposing scenic presence. Jolie is a born beauty, her beauty a gift given from the start, and, in my opinion, she did not manage to convey the dramatic depth of Callas's appeal enough as to create the magical impression that we are seeing a credible Callas.
Also, for those who love opera, Jolie's embouchure (the singers' «mouth mould») is a joke, nothing close to the unmistaken bel canto mouth frame which opera singers (and Callas) distinctively employ. It may seem an unimportant detail, but the sum of inconsistencies and lack of attention to detail ends up being irritating.
I have not listed other observations already pointed by reviewers, which which I concur, related to the use of music score, plot and realism. I really wanted to like the movie, but it was a total disappointment to me.
- maria-ricci-1983
- 14 dic 2024
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Maria?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Марія
- Locaciones de filmación
- Budapest, Hungría(Opera House, Music Academy, various locations)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 938,325
- Tiempo de ejecución2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Canadian French language plot outline for Maria (2024)?
Responda