I Am Kathalan

When talking about authentic hacking in films, something like Mr. Robot or Blackhat might come up but even those are of a big scale with so much at stake where just the methodologies or tools are authentic and then it goes into the realm of cinematic liberties for the time and impact of it. But here, from the scale to the impact everything stays grounded along with stuff that has to do physically for the hacking to happen. Even though I haven't done things like that, I have used Kali Linux and done some mock workshops to identify almost everything that Vishnu does in this film, so that was really refreshing to watch.

Even though not as good as Girish AD's previous films, this also works greatly due to the small moments that add a lot to the film's soul. The main problem with this film is that it never really becomes a full-on thriller even when the story demands it to be. It's mostly a coming-of-age drama with some revenge angle that centers around hacking. Since this was shot before Premalu, some things that were more refined or effectively used in that film are not as good here. The subtle development and impact of minor characters with respect to the main characters without affecting the main story was done almost perfectly in Premalu but here, it needed a bit more work. The ending was a bit too early for the story since there were definitely possibilities left which usually would have had space for a climatic act. There were a few things that could've been done that would've made this more impactful overall.

But despite all that, this still has the relatability factor I found in Premalu, even if it is in smaller doses. There were a lot of places where I found myself relating hard with Vishnu, which also made me think about how different Girish's characters are from me, and yet they are still some of the most relatable characters I've seen in movies. He really showed me how much of the relatable heroes of the past were more like the perceived and normalized version of such characters in Malayalam cinema rather than actually feeling it.