Rifle Club

Aashiq Abu proves his naysayers wrong and bounces back with an extremely stylish, no-nonsense actioner filled with fun one-liners. Yes, this is definitely style-over-substance but when it's tastefully done, I'm not complaining. In the conventional sense, this may also be Abu's most "entertaining" film yet, though it may not feel all that original. That's beside the point here, as the cast (every single one of them) is firing on all cylinders-be it with guns or puns. It's almost like the writers (Syam Pushkaran, Dileesh Karunakaran, Suhas-especially, the former) wanted to shed their "always realistic and grounded" tag and come up with an all-round engaging film that's mostly about guns and the humans wielding them.

A special shoutout (within the ensemble) must go to Hanumankind-his second-coming scene is just FIERY and Rex Vijayan gives him a fantastic song + score. Anurag Kashyap also does well in his first Malayalam outing, mixing up Malayalam and Hindi in his dialogues. Vishnu Agasthya exudes an enigmatic screen presence, and I'm glad he's playing one of the good guys here after RDX. Dileesh Pothen is solid, getting some of the best lines and a whistleworthy comeback. Vani Viswanath shines among the leading ladies, reminding us of what we were missing all this while. Also, Navani's Kasargod accent (if it was dubbed by her) was jolly good.

At 1h 52m, Rifle Club is not trying to come across as an exercise in detailed, arc-filled writing. Aashiq Abu clearly knows what he's going for, which is to make a very good-looking film that makes you laugh and hoot; his filmography was sorely missing out on something this fun-filled (and gleefully violent) for a long time. I think the team managed to score a winner in that regard. The baddies could've been written a tad better though.

The film was great and I had a blast watching it. Nearly every aspect was very well done. The main performances especially from dileesh pothen and anurag kashyap are great. The side actors like vani vishwanath and vijayaraghavan provide good support. Vineeth Kumar has a good role. Some of the side actors are just alright. The much hyped Hanumankind was just alright and you can tell he's never acted in a film before. The music, cinematography, and editing are all great. The film goes in a very fast pace and you won't notice the time flying by. The only major problem is the dialogues which sound completely out of place some times. Whenever dileesh pothen says a double meaning joke, he literally says "double meaning double meaning" right after. That completely ruins the joke. There is a scene where dileesh pothen says dialogues in pure malayalam and another character translates them into english. If the audience needs to understand every word, they can just turn on subtitles right? Otherwise the film is a simple and well done film that you will definitely enjoy.

"Rifle Club" is a Malayalam film that embraces a vintage style, offering a visually rich and action-packed experience. While it boasts an impressive cast and technical excellence, it falls short in storytelling and leaves an incomplete impact.

Positives:

One of the biggest strengths of Rifle Club is its stellar performances. Dileesh Pothan, Anurag Kashyap, Hanuman Kind, Vishnu Agasthya, Vijayaraghavan, Suresh Krishna, Vani Vishwanath, and Ponnamma Babu deliver strong performances. Among them, Dileesh Pothan, Anurag Kashyap, Hanuman Kind, and Vishnu Agasthya stand out with exceptional screen presence. Hanuman Kind, in particular, brings an effortless swag that elevates the film's vintage charm.

The technical aspects shine in Rifle Club, with excellent cinematography, well-executed action choreography, and an immersive background score. The color tones and camera angles enhance the film's old-school aesthetic, making it visually captivating.

Negatives:

On the downside, the film struggles with weak character writing, particularly for Unnimaya Prasad and Surabhi. Their roles feel forced into the narrative, attempting to create strong feminine leads, but their portrayal and attitude do not blend well with the overall tone of the movie. In contrast, Vani Vishwanath and Ponnamma Babu fit seamlessly into the film's world with their commendable performances.

The biggest letdown is the story itself. It follows a predictable revenge arc, failing to introduce any surprising twists or an impactful climax. While the film maintains a stylish and fast-paced execution, the script lacks depth, preventing it from reaching greatness. The direction is competent but not groundbreaking.

Final Verdict:

Rifle Club is a film that thrives on performances, vintage aesthetics, and stylish action. It delivers an engaging experience but lacks a gripping narrative to make it truly memorable. If you enjoy films driven by strong characters and stylish execution rather than a fresh storyline, this one is worth a watch.

The cinematic work known as Rifle Club can be classified as an action thriller drama genres, and a subgenre of gun fight. The film was directed by Aashiq Abu.

The narrative under scrutiny pertains to the history of the rifle club, an establishment with a long and distinguished history in the realm of firearms. The club boasts a rich tapestry of experiences interwoven with the annals of military history, offering a unique perspective on the evolution of armaments and the pursuit of marksmanship. The club has a considerable number of members. The majority of these individuals are residing at the club. The romantic movie star, Shajahan, would take on the role of the lead actor in an action movie. In order to prepare for his role, he attended the rifle club to practise firing a gun. Subsequently, his cousin and girlfriend followed him to the club, having escaped from a gangster team. The younger son of Daya, a gangster operating within the Mangalore region, was killed by this cousin and girlfriend, albeit without any discernible motive. The older son proceeded in the direction of the club, where he was apprehended by members of the club. He was subsequently shot by the aforementioned members. Subsequently, Daya and his entire cohort proceeded to launch an attack on the club. However, the club members successfully vanquished and killed each and every member of the gang.

The narrative was of adequate quality. The direction exhibited a standard quality. The performances are of a commendable standard, and the musical scores are a notable aspect of the film. A number of visual effects (VFX) scenes appear to deviate from conventional norms, evoking a sense of peculiarity or otherworldliness in their presentation. Nevertheless, it is a film that can be watched on a single time and recommended to others.

Rifle Club is an action-packed tale of guns, vengeance, and family dynamics, centering on a rifle club family and their standoff with a gangster and his sons. The film starts on a slow note, spending time setting up the narrative and introducing a sprawling cast. While this deliberate pace may test some viewers' patience, it lays the groundwork for an explosive second half.

The turning point comes with a series of intense, high-stakes shootouts that showcase thrilling action choreography and keep you at the edge of your seat. However, the large ensemble cast is a double-edged sword; many characters feel underutilized, leaving some subplots half-baked.

Despite its uneven pacing and loose ends, *Rifle Club* delivers an adrenaline-pumping climax that action lovers will enjoy. It's a movie that thrives on its second-half spectacle but could've been more impactful with tighter storytelling and better character focus.