CALIFICACIÓN DE IMDb
8.0/10
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Agrega una trama en tu idiomaResearchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
- Premios
- 8 premios ganados y 14 nominaciones en total
Leonard Berney
- Self - Royal Artillery
- (as Maj. Leonard Berney)
Josef Kramer
- Self - Commandant, Bergen-Belsen Concentration Camp
- (material de archivo)
Mike Lewis
- Self - Army Cameraman, 1981
- (material de archivo)
- (as Sgt. Mike Lewis)
Bill Lawrie
- Self - British Army Photographer
- (archivo de sonido)
- (as William Lawrie)
Richard Dimbleby
- Self
- (archivo de sonido)
Toby Haggith
- Self - Imperial War Museums
- (as Dr. Toby Haggith)
James William Illingworth
- Self - British Army Gunner
- (material de archivo)
Alexander Vorontsov
- Self - Soviet Cameraman, 1986
- (material de archivo)
- (as Alexander Voronstov)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe first Channel 4 documentary to avoid using any advertisements.
- Citas
Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.
- ConexionesFeatures Die Todesmühlen (1945)
Opinión destacada
The footage shown in this documentary is really excruciating... And it goes on and on and on. The film never really shies away from showing you the horrors of hundreds and hundreds of dead bodies in concentration camps being dragged across and piled up one of top of the others as if they were just mannequins. It's a nightmare-inducing vision that I don't think I will ever be able to erase from my memory. Mountain of personal objects, spectacles even human hair carefully sorted according to type and colours.
And yet after a while I felt it was all beginning to be a little too much and I thought the film was probably going around in a circle and did not really have a lot more to say other than just showing detail over detail of the horror. Not that there is anything to say about the carnage that took place in those places, but somehow I felt this was probably a 40/50 minutes or so film stretched to 1 hour and 15 minutes. Yes the footage found is an incredible discovery and a terrifying testimony of a past that shouldn't be forgotten, but other than that, the film has very very little else to say. I also felt some of the use of the interviewees was a bit heavy-handed: cut to people staring into the void, or the use of pointless bit of dialogue just for the sake of seeing this people breaking down into tears half way through the phrase... There wasn't really any need for that. The original footage was heartbreaking enough without having to resort to people crying to make us the audience feel sad about it... or to dark ominous music. But that's just a question of taste. It's hard to review a documentary like this. Give it a small rating and you can be accused of being insensitive. But that's when you should really make a distinction between the subject matter and the material being shown and the actual craft of the documentary. The later is rather plodding, uneven, and as I said before a bit heavy-handed, but since the subject matter is so powerful, on balance 7 out 10 is perfectly justifiable.
And yet after a while I felt it was all beginning to be a little too much and I thought the film was probably going around in a circle and did not really have a lot more to say other than just showing detail over detail of the horror. Not that there is anything to say about the carnage that took place in those places, but somehow I felt this was probably a 40/50 minutes or so film stretched to 1 hour and 15 minutes. Yes the footage found is an incredible discovery and a terrifying testimony of a past that shouldn't be forgotten, but other than that, the film has very very little else to say. I also felt some of the use of the interviewees was a bit heavy-handed: cut to people staring into the void, or the use of pointless bit of dialogue just for the sake of seeing this people breaking down into tears half way through the phrase... There wasn't really any need for that. The original footage was heartbreaking enough without having to resort to people crying to make us the audience feel sad about it... or to dark ominous music. But that's just a question of taste. It's hard to review a documentary like this. Give it a small rating and you can be accused of being insensitive. But that's when you should really make a distinction between the subject matter and the material being shown and the actual craft of the documentary. The later is rather plodding, uneven, and as I said before a bit heavy-handed, but since the subject matter is so powerful, on balance 7 out 10 is perfectly justifiable.
- MovieGeekBlog
- 8 dic 2014
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Holocaust: Night Will Fall
- Locaciones de filmación
- Berlín, Alemania(Archive footage)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 15 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was Night Will Fall (2014) officially released in Canada in English?
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