For the camera. Tied with Evgeniy Privin and Sergey Mikhalchuk for Under Electric Clouds (2015).

For the camera. Tied with Sturla Brandth Grøvlen for Victoria (2015).

"The film which struck us the most was one which succeeds in continuously maintaining its oppressive atmosphere. This film gives us a precise and intense experience of the mechanisms of progressive social exclusion, triggered by an accusation. It excels in its portrayal of the role of social networks, where anonymity can lead to the unchecked build-up of aggression. A great cast, gripping dialog and unexpected developments combine to create an extraordinary work."

"With clear, monumental images the winning short film stresses the relationship between authoritarian sway and helplessness, erupting into violence. Within a limited amount of shots the film develops an extraordinary tension and intensity. Years of silence and suppression ultimately culminate in a nightmare scenario, which left us stunned and shocked at the same time."

"The film's unique perspective, stunning performances and challenging theme really touched our hearts."

"We liked the short film because it is sad and touching at the same time. Based on a true event, the film is shocking and striking, with the last scene in particular being really convincing."

"We would like to take this opportunity to highlight a film with a perky, dynamic and colourful appearance. Aesthetically composed images lead us into the world of a protagonist who is torn between his desire for appreciation and his determination to do the right thing. The self-ironic treatment of stereotypes, the creative cinematography and the stirring soundtrack all grant this movie its cult appeal."

"Loss, transition, the hereafter: With its compelling imagery this short film draws, in a poetic and surreal way, the state between life and death. Although we were directly captured by the puzzling composition of images, in the end it was the smart turn, which makes the film so extraordinary and left us captivated long after the screening."

"This year, we chose a colorful, touching and humorous film. The story and the performances of the young protagonists impressed us deeply."

"The story is thrilling and sweetly told, a film made for all generations. We were enchanted by the exciting animation."

"This award is recognising 20 years of struggle for the Trans community in Uruguay through the story of a Trans woman without victimisation who refuses to be marginalised despite her circumstances. This film shows the tension between religion and gender and sexual identity in Latin America in a way that is both intimate and powerful. And it portrays the story of this remarkable activist, teacher, revolutionary, sister and daughter who is so much of her time and ahead of it too."

"The Teddy jury awards its 2015 feature film prize to Nasty Baby, by Sebastian Silva. The jury wishes to highlight the film's bold intention to present an urgent question of morality. Director Sebastian Silva confronts middle-class gay artist life in Brooklyn as it clashes with realities of class, race and gentrification. What starts as a film about a gay couple and their best friend trying to conceive a baby turns into a gruesome situation that symbolizes major divides that cut across the LGBT spectrum and across society. It's a provocative film that sensitively portrays the queer American dream, and subtly implores all of us to dream beyond."

"For best short, the Teddy jury awards San Cristobal, directed by Omar Zúñiga Hidalgo which we consider pitch perfect in its direction and acting, and a moving portrait of two men in a fishing village in northern Chile whose lives are endangered once their affair is discovered. The film tests the limits of queer happiness in such an environment. Deftly, the film builds on the layers of meaning, and hope, around St. Crisotbal's promise of safe passage."