ÉVALUATION IMDb
6,8/10
26 k
MA NOTE
Louis (Gaspard Ulliel), un écrivain en phase terminale, retourne dans sa famille après une longue absence pour lui annoncer sa mort prochaine.Louis (Gaspard Ulliel), un écrivain en phase terminale, retourne dans sa famille après une longue absence pour lui annoncer sa mort prochaine.Louis (Gaspard Ulliel), un écrivain en phase terminale, retourne dans sa famille après une longue absence pour lui annoncer sa mort prochaine.
- Prix
- 19 victoires et 39 nominations au total
Antoine DesRochers
- Pierre Jolicoeur
- (as Antoine Desrochers)
Histoire
Le saviez-vous
- AnecdotesFirst film directed by Xavier Dolan with only French actors in the cast. His previous films were all starred by Canadian actors. This film, however, was shot entirely in Canada.
- Citations
Antoine Knipper: We think silent people are good listeners. But I shut up so people leave me alone.
- ConnexionsFeatured in Xavier Dolan: à l'impossible je suis tenu (2016)
- Bandes originalesHome Is Where It Hurts
Written by Camille, Dominique Dalcan, Matthew Ker
Performed by Camille
Published by Blonde Music and Balulalo
Authorized by Warner Music Canada for Parlophone Music France
Commentaire en vedette
I think it's beautiful when creators explain more in shadows and silences than in dialogue and obvious visual cues. There is true brilliance to be found in the hidden and the unsaid; oftentimes, the truth comes in subtle ripples than in galvanized waves, and it's exceptional to come across true masters of the craft who are willing to respectfully handle such an intricate technique without becoming dull and overbearing.
Regrettably, such is not the case here.
Dolan tries to sweep us off our feet with anthropocentric framing and a flowing stream of ethereal brushings of color and emotion, something he does well, I can't deny him that. In the meanwhile though, he seems to be neglecting the actual plot which is painfully lacking on so many points, this movie is rendered into nothing more than a neophyte's attempt at a college- level, arthousy project.
Fortunate that the entirety of the cast is strong enough to redeem this effort by generously depositing spiritful performances, thankfully seeming to overcome the dire facts that the writing is listless, the plot is dormant, and the whole movie seems painfully mannered and conditional. So much so, that the viewer is bound to be left confused and, at times, attacked by the drip-fed, self-folding, monotonous interactions that ultimately serve to dress the movie with no pragmatic value at all.
In aiming for elegance and allure, Dolan fails to dish out a well-founded, coherent film, leaving us with nothing more than an unprogressive fable that tiptoes along the verge of deforming from 'suspended' to 'backwards'. And all very chaotically wrapped in out-of-place musical choices, not enhancing but rather debasing the scenes, pulling the viewer out of the experience in flabbergasted eye-rolls.
My point of view: Overlooking the feeble dialogue, overall repetitiveness, plot stagnancy and forced emotive filming techniques, I rather enjoyed the performances -- and here is where I rate this. It's Only The End of the World is a lifeless attempt, devoid of any true passion and it could have very easily broken down into oblivion the moment the end titles started rolling - if it weren't for Vincent Cassel's very last scene which, yet again, validates him as one of the Greats.
Lucky for me I will always have that to remember.
Regrettably, such is not the case here.
Dolan tries to sweep us off our feet with anthropocentric framing and a flowing stream of ethereal brushings of color and emotion, something he does well, I can't deny him that. In the meanwhile though, he seems to be neglecting the actual plot which is painfully lacking on so many points, this movie is rendered into nothing more than a neophyte's attempt at a college- level, arthousy project.
Fortunate that the entirety of the cast is strong enough to redeem this effort by generously depositing spiritful performances, thankfully seeming to overcome the dire facts that the writing is listless, the plot is dormant, and the whole movie seems painfully mannered and conditional. So much so, that the viewer is bound to be left confused and, at times, attacked by the drip-fed, self-folding, monotonous interactions that ultimately serve to dress the movie with no pragmatic value at all.
In aiming for elegance and allure, Dolan fails to dish out a well-founded, coherent film, leaving us with nothing more than an unprogressive fable that tiptoes along the verge of deforming from 'suspended' to 'backwards'. And all very chaotically wrapped in out-of-place musical choices, not enhancing but rather debasing the scenes, pulling the viewer out of the experience in flabbergasted eye-rolls.
My point of view: Overlooking the feeble dialogue, overall repetitiveness, plot stagnancy and forced emotive filming techniques, I rather enjoyed the performances -- and here is where I rate this. It's Only The End of the World is a lifeless attempt, devoid of any true passion and it could have very easily broken down into oblivion the moment the end titles started rolling - if it weren't for Vincent Cassel's very last scene which, yet again, validates him as one of the Greats.
Lucky for me I will always have that to remember.
- pauliecorleone-72628
- 1 févr. 2017
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- It's Only the End of the World
- Lieux de tournage
- Sainte-Dorothée, Laval, Québec, Canada(house interiors)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 900 000 € (estimation)
- Brut – à l'échelle mondiale
- 9 231 823 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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