Ajouter une intrigue dans votre langueTwo telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.
Selmer Jackson
- Joe - Gangster
- (as Selmar Jackson)
Margaret Armstrong
- Seance Participant
- (uncredited)
Joseph E. Bernard
- Headwaiter
- (uncredited)
Clay Clement
- Mr. Stephenso - -Hotel Manager
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe ending, with Joan Blondell in bed, was filmed in her home. She was recovering from an emergency appendectomy and her doctor would not let her travel to the studio.
- GaffesWhen Loretta and Turk join Marie on her table, there are customers dining in the background. On the following cut, the customers change.
- Citations
Marie Lawson: [to Terry, who's aggressively flirting with her] I had a kid brother like you once, but we found out he was an idiot so we drowned him.
Commentaire en vedette
I've Got Your Number (1934)
*** (out of 4)
Extremely entertaining gem from Warner about phone repairman Terry Riley (Pat O'Brien) who falls for a beautiful blonde (Joan Blondell) but soon gets caught up in a robbery. I'VE GOT YOUR NUMBER turns into a crime picture for the final fifteen-minutes but the rest of the running time is basically a romantic comedy and it's a very good one at that. I think it's pretty clear that the egotistical maniac, fast talking lead character was meant to be played by James Cagney but for whatever reason he didn't do the part so O'Brien stepped in. It seems whenever the Cagney-O'Brien team couldn't do a picture, the studio gave the lead to O'Brien and then they'd bring in either Allen Jenkins (as they did here) or Frank McHugh. O'Brien and Jenkins makes for a very good pair as the two work well off one another and make for a highly entertaining and very fast little picture. The two of them can mix it up extremely well and Jenkins certainly manages to bring a lot of laughs. Blondell is also very good in her role as she's certainly easy on the eye but she also manages to make you believe her in the part. Glenda Farrell has a brief but very funny part as a fake psychic and we also get a good supporting performance by the always entertaining Eugene Palette. There are countless highlights to this film but I think the greatest thing are the various pre-code elements with most of them dealing with sex. O'Brien's character, in today's world, would be called a stalker or sexual harasser because of the way he talks to women, pretty much follows them and forces them to go out with him. It's certainly played for jokes here and it gets plenty of laughs especially one scene early on where two sexually charged women invite him into the house and all sorts of innuendo is thrown around. These pre-code sex jokes are without question hilarious and help keep this film moving at a great pace.
*** (out of 4)
Extremely entertaining gem from Warner about phone repairman Terry Riley (Pat O'Brien) who falls for a beautiful blonde (Joan Blondell) but soon gets caught up in a robbery. I'VE GOT YOUR NUMBER turns into a crime picture for the final fifteen-minutes but the rest of the running time is basically a romantic comedy and it's a very good one at that. I think it's pretty clear that the egotistical maniac, fast talking lead character was meant to be played by James Cagney but for whatever reason he didn't do the part so O'Brien stepped in. It seems whenever the Cagney-O'Brien team couldn't do a picture, the studio gave the lead to O'Brien and then they'd bring in either Allen Jenkins (as they did here) or Frank McHugh. O'Brien and Jenkins makes for a very good pair as the two work well off one another and make for a highly entertaining and very fast little picture. The two of them can mix it up extremely well and Jenkins certainly manages to bring a lot of laughs. Blondell is also very good in her role as she's certainly easy on the eye but she also manages to make you believe her in the part. Glenda Farrell has a brief but very funny part as a fake psychic and we also get a good supporting performance by the always entertaining Eugene Palette. There are countless highlights to this film but I think the greatest thing are the various pre-code elements with most of them dealing with sex. O'Brien's character, in today's world, would be called a stalker or sexual harasser because of the way he talks to women, pretty much follows them and forces them to go out with him. It's certainly played for jokes here and it gets plenty of laughs especially one scene early on where two sexually charged women invite him into the house and all sorts of innuendo is thrown around. These pre-code sex jokes are without question hilarious and help keep this film moving at a great pace.
- Michael_Elliott
- 5 déc. 2013
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- How long is I've Got Your Number?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Hell's Bells
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was I've Got Your Number (1934) officially released in India in English?
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