Marius

Idyllic piece from the childhood of the cinema of sound and music, when films actually mainly were just screened theatre, and as such this film is an outstanding example. Marcel Pagnol's script is actually a play, and the players here make more than the best of it - they are all virtuoso performances. The dialog is not very witty, there is nothing special to it, and neither is the cinematography, which hardly had had time to get born yet in the sound films, but wich was on its way. So the assets here are mainly just the acting, and the environment coulndn't be more picturesque - the harbour of old Marseilles with its shabby joints, bars and cafès, and they drink a lot throughout the film. The question is, will Marius marry the girl he actually loves, or will he go to sea for the adventure he loves and longs for? It is not settled until in the very last moment, while Fanny and his father César both love him the more for whatever he chooses to do. - To be continued.