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MA NOTE
Tom Lawrence, le frère de Gay, prend le relais de son frère blessé dans une affaire d'espionnage nazi et d'assassinat politique.Tom Lawrence, le frère de Gay, prend le relais de son frère blessé dans une affaire d'espionnage nazi et d'assassinat politique.Tom Lawrence, le frère de Gay, prend le relais de son frère blessé dans une affaire d'espionnage nazi et d'assassinat politique.
George J. Lewis
- Valdez
- (as George Lewis)
John Albright
- Ship Passenger
- (uncredited)
Kay Aldridge
- Victory Gown Model
- (uncredited)
- …
Charles Arnt
- Pat Moffett
- (uncredited)
Brooks Benedict
- Fashion Show Attendee
- (uncredited)
Ralph Brooks
- Arlette's Attendant
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesOriginally intended to be the last of the "Falcon" movies, as George Sanders wanted out of the series.
- GaffesNobody seems to be the least bit concerned about getting their own fingerprints all over the murder weapon.
- Citations
Maître d: But, Miss: ladies without escorts are not admitted to the Rose Room.
Marcia Brooks: Who said I was a lady?
- ConnexionsFollowed by The Falcon Strikes Back (1943)
Commentaire en vedette
Except for the switcheroo, it's a routine Falcon entry. The series was never big on mystery or atmosphere, staples of better whodunits like the Chan series. Instead, the entries lean heavily on sprightly charm supplied first by Sanders and now by Conway, and a steady stream of statuesque, well-upholstered girls, which this entry supplies in spades. Looks like RKO may have used the series to photograph some of their younger talent.
It turns out here after a couple false starts that the brothers are on the trail of Nazi spies, not surprising for 1942. However, I am surprised that the two actors generally deliver such engaged performances over the course of the entire series. After all, the Falcon role is basically one-dimensional, requiring only that the actor be suavely charming and not much else. I expect Sanders had become bored and quit before losing interest; at the same time, Conway picks up nicely on what has become a family trust.
The best scenes are with Conway and the sprightly reporter Randolph, whose well-scripted chemistry works. It's also a good chance to ogle high fashion, circa 1942. On the other hand, is the witless comedy relief from Clark, Gargan, and Barclay, blowing little lame holes through the proceedings. Anyway, the movie may be unique in film series annals for the way it creates the switcheroo, which really does amount to a startling departure. Otherwise, it's strictly a routine affair.
It turns out here after a couple false starts that the brothers are on the trail of Nazi spies, not surprising for 1942. However, I am surprised that the two actors generally deliver such engaged performances over the course of the entire series. After all, the Falcon role is basically one-dimensional, requiring only that the actor be suavely charming and not much else. I expect Sanders had become bored and quit before losing interest; at the same time, Conway picks up nicely on what has become a family trust.
The best scenes are with Conway and the sprightly reporter Randolph, whose well-scripted chemistry works. It's also a good chance to ogle high fashion, circa 1942. On the other hand, is the witless comedy relief from Clark, Gargan, and Barclay, blowing little lame holes through the proceedings. Anyway, the movie may be unique in film series annals for the way it creates the switcheroo, which really does amount to a startling departure. Otherwise, it's strictly a routine affair.
- dougdoepke
- 27 nov. 2009
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Falcon's Brother
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 3 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was La Relève du Faucon (1942) officially released in India in English?
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