ÉVALUATION IMDb
7,2/10
5,4 k
MA NOTE
Armé du manuel titulaire, un lave-vitre ambitieux cherche à gravir les échelons de l'entreprise.Armé du manuel titulaire, un lave-vitre ambitieux cherche à gravir les échelons de l'entreprise.Armé du manuel titulaire, un lave-vitre ambitieux cherche à gravir les échelons de l'entreprise.
- Prix
- 2 nominations au total
Anthony 'Scooter' Teague
- Bud Frump
- (as Anthony Teague)
Kathryn Reynolds
- Miss Smith aka Smitty
- (as Kay Reynolds)
Jeff DeBenning
- Gatch
- (as Jeff Debenning)
Histoire
Le saviez-vous
- AnecdotesThe scene featuring Robert Morse skipping & dancing down the street on his way to work (immediately after the "Old Ivy" fight song duet with Rudy Vallee ) was filmed on location in New York City using hidden cameras and a small earpiece to cue Morse on his timing. The various amused & astonished passersby were not extras, but rather were New Yorkers reacting genuinely to someone dancing to his own tune. It may be noted that, in typical New York fashion, no matter how odd he appeared to be virtually none of the New Yorkers paid him any notice whatsoever.
- GaffesDuring opening credits number, Robert Morse and a young fellow window washer board an electric scaffolding in exterior rooftop shot, but by next scene when scaffolding has descended a few floors, co-worker is now a much older man with much less hair.
- Citations
J. B. Biggley: I know blood is thicker than water, but Bud Frump is thicker than anything. I'll promote him when I'm ready. Now, you listen to me, Gertrude. The next time Bud complains to his mother, and she calls you, and you call me, you're all fired. Damn it.
- Autres versionsThe 1998 VHS release contained the 1994 variant of the United Artists logo.
- ConnexionsFeatured in The Drew Carey Show: Brotherhood of Man (1999)
Commentaire en vedette
This was one of the rare Broadway musicals whose book is actually more interesting than its score. So while roughly a half-dozen Frank Loesser songs from the stage version are deleted, they're not really missed. What survives is a witty skewering of office politics, featuring much of the Broadway cast. And while such '60s business staples as rampant sexism and smoking now look quaintly offensive, the gleeful satirizing of backstabbing and skulduggery in business will always be relevant. David Swift, whose training was in TV, doesn't do much with the widescreen format (except for the ingenious ballet-mechanique in "A Secretary Is Not a Toy"), but he cuts cleverly away from the production numbers just as the musical-comedy silliness is on the verge of becoming embarrassing, and he splices in some delectable location shots of '60s New York. The color scheme is bright, the pacing brisk, the cast friendly, the production values refreshingly modest. At a time in movie history when so many adaptations of stage hits were overbudgeted and overlong, what a pleasure to see something to faithful to its source material -- and so unpretentious.
- marcslope
- 29 mai 2001
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- How to Succeed in Business...
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 6 322 000 $ US
- Durée2 heures 1 minute
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was How to Succeed in Business Without Really Trying (1967) officially released in India in English?
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