In the opening titles of this movie it says that is "loosely based" on the fin-de-siècle novel of Emile Zola. I haven't read the novel, but I am a little suspicious about the lesbian scenes and the bizarre "human cockfighting" scene. I am also quite sure that Zola never claimed that his contemporary, George Melies, a real-life silent French filmmaker (who was also a character in Scorcese's "Hugo")made porn loops to show in Parisian brothels. I suspect the notorious 80's low-rent Israeli producers Golan and Globus took at least some liberties with both fiction and reality.
This is a movie about a young actress and prostitute, who shows up at a brothel and becomes an object of obsession for numerous men--a Jewish banker, a count, and the impressionable son of the count--and proceeds to blithely destroy all their lives.
The lead, 18-year-old Katya Berger, is not an especially beautiful girl, but she has a very nice body, which is useful since she spends a great deal of the movie nude. Berger is one of a several young German actresses of the 70's (including Lara Wendel, Katja Bienert, and most famously Nastassia Kinski)who actually appeared in a lot of nude and erotic roles BEFORE they were "legal" by modern-day US/UK standards. Berger's 1978 debut, "Labias Piccolas", for instance, is available in the US today, but reputedly shorn of about 11 minutes of underage nude scenes. But that is not a problem in THIS movie made five years later. Of course, she does have a lesbian scene with an actress played by her real-life sister, Debra Berger (both are daughters of spaghetti Western actor William Berger)and an inter-racial oral sex scene. And there are a couple other notorious figures in the cast including Annie Belle, a French "lolita" actress from the earlier 70's, and 60's British party girl Mandy Rice-Davies, who was caught up with Christine Keeler in the "Profumo Affair", which brought down a British government and was later chronicled in the movie "Scandal". Clearly the Go-Glo boys were trying to court a little controversy here.
Given all that though, this movie is surprisingly boring. One problem is that the only really strong actor here is Jean-Pierre Aumont, but a lot of it is that director Dan Wolman is not very adept at drawing out any believable drama. Still, it is not a terrible movie and isn't worse than any other Golan-Globus film--whether or not you consider THAt a recommendation. . .
