Une féministe de Boston et une avocate conservatrice du sud s'affrontent pour gagner le coeur et l'esprit d'une belle et brillante jeune fille, incertaine de son avenir.Une féministe de Boston et une avocate conservatrice du sud s'affrontent pour gagner le coeur et l'esprit d'une belle et brillante jeune fille, incertaine de son avenir.Une féministe de Boston et une avocate conservatrice du sud s'affrontent pour gagner le coeur et l'esprit d'une belle et brillante jeune fille, incertaine de son avenir.
- Nommé pour 2 oscars
- 1 victoire et 7 nominations au total
- Henry Burrage
- (as John Van Ness Philip)
Histoire
Le saviez-vous
- AnecdotesChristopher Reeve said of this film in his autobiography "Still Me" (1998): "[Producer] Ismail [Merchant] could only afford to pay me $100,000, less than a tenth of my established price at the time. I insisted that the money was not an issue, that this was the kind of work I ought to be doing, but my agent told me, 'If you do that picture with those wandering minstrels, it will be one foot in the grave of your career'. ... I cheerfully ignored their advice".
- GaffesAfter a title card has advised us we are in New York City in 1876, Olive Chancellor writes a check for Mr. Tarrant, dated September 13, 1875.
- Citations
Miss Birdseye: [on Basil] Your cousin looks like a genius, my dear.
Olive Chancellor: It's only a distant cousin. He's a lawyer from Mississippi, he left his mother and his sisters behind and he's come to try to make his living in New York. He's not in sympathy, I'm afraid.
Miss Birdseye: Well, I've often found that people are only waiting for the light.
That being said The Bostonians is great window on the world of Henry James and the upper class society in which he moved in New York and Boston. James was a great evaluator of human nature even of the love that dare not speak its name.
Stripped of all the trimmings about the emerging women's movement what we've got here is a triangle with a lesbian twist. Vanessa Redgrave got an Oscar nomination for Best Actress with her portrayal as an intellectual leader who feels she hasn't the voice to articulate the issues surrounding suffrage and all the other inequalities women endured back then. She latches on to a protégé in the person of Madeline Potter recently shilling for her faith healer father Wesley Addy. What she cannot, dare not articulate is the physical attraction she's feeling for Potter.
Redgrave is simply marvelous as the frustrated, possibly even latent lesbian. We're never sure if she has or will ever consummate her feelings. This is Boston of the 1870s-1880s where such things are frowned there even more than most places in the USA.
Vanessa's rival for Potter is Christopher Reeve a devilishly handsome young blade from the south who has come north to seek his fortune as a lawyer. As for Potter she's not sure of what she wants or even that Redgrave's interest in her is more than politics.
Linda Hunt and Jessica Tandy have a pair of good roles, The Bostonians is great in terms of roles for women. Tandy is an aged old soul who rejoices in the changes in America she's seen in the 19th century of which she remembers most of. Hunt is her nurse/companion who is a shrewd observer of the events around her and Tandy.
The Bostonians also got a nomination for Costume Design and the shooting in Boston and New York are fine. Boston has kept a lot of the same look Henry James knew in certain areas of the city and James Ivory made great use of Central Park in New York and some of the structures there that were put up in the time of Henry James.
I won't say what happens other than to say that Vanessa Redgrave does find it in herself to articulate her cause. As for the rest you have to watch this very fine production to find out.
- bkoganbing
- 7 sept. 2011
- Lien permanent
Meilleurs choix
- How long is The Bostonians?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Die Damen aus Boston
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 009 700 $ US
- Brut – à l'échelle mondiale
- 1 009 700 $ US