Le Dr. Richard Kimble, injustement accusé de l'assassinat de sa femme, doit retrouver le véritable meurtrier alors qu'il est pris en chasse par un U.S. Marshal chevronné.Le Dr. Richard Kimble, injustement accusé de l'assassinat de sa femme, doit retrouver le véritable meurtrier alors qu'il est pris en chasse par un U.S. Marshal chevronné.Le Dr. Richard Kimble, injustement accusé de l'assassinat de sa femme, doit retrouver le véritable meurtrier alors qu'il est pris en chasse par un U.S. Marshal chevronné.
- A remporté 1 oscar
- 13 victoires et 37 nominations au total
Jeroen Krabbé
- Dr. Charles Nichols
- (as Jeroen Krabbe)
Joseph F. Kosala
- Detective Rosetti
- (as Joseph Kosala)
The Life and Times of Harrison Ford
The Life and Times of Harrison Ford
Take a look back at Harrison Ford's movie career in photos.
Histoire
Le saviez-vous
- AnecdotesHarrison Ford damaged some ligaments in his leg during the filming of the scenes in the woods. He refused to take surgery until the end of filming so that his character would keep the limp. The limp can be seen in any subsequent scene where Richard Kimble is running.
- GaffesThe detectives watching the interrogation room say "The good doctor's prints are all over the lamp, the gun and the bullets." No matter how biased, incompetent (or plain stupid) a police detective is, the fact that a person's fingerprints are present in his own home, on his own stuff, should not even be mentioned as evidence (the gun wasn't even used in the crime at all). It would only constitute as evidence if there were no other prints in the room.
- Citations
Dr. Richard Kimble: [Holding Gerard at gunpoint] I didn't kill my wife!
Deputy Marshal Samuel Gerard: I don't care!
- Générique farfeluNear the end of the end credits, there is a scene showing fireworks going off over the Chicago skyline.
- Autres versionsThe Warner Bros. Pictures logo is plastered with the 2003 logo in the 20th anniversary Blu-ray version.
- Bandes originalesThe Thrill is Gone
Written by Roy Hawkins and Rick Darnell
Performed by B.B. King and Bobby Bland
Courtesy of MCA Records
Commentaire en vedette
There is a kind of magic when a superb cast, a truly gifted director, and a literate script with equal parts 'over-the-top' action, riveting suspense, and rich characterization, come together. The end result attains a luster that only grows through the years, as new audiences, through DVD and VHS, experience the same excitement we felt, viewing it on a theater screen. In the last decade, only a handful of suspense films could be called 'great'...and on top of the list is THE FUGITIVE.
Based on the popular David Janssen TV series, the film faithfully follows the same premise; a doctor is accused of his wife's death, but escapes before his execution, and tracks down the 'one-armed man' responsible for the murder, as a driven law officer attempts to recapture him. Being a big-budget film, however, the scale of everything is expanded...Dr. Richard Kimble is now a brilliant vascular surgeon, at a major Chicago hospital; the handicapped killer is a dirty ex-cop working on orders from crooked board members of a billion-dollar pharmaceutical firm; and the lawman is no longer a solitary police lieutenant, but a deputy United States Marshal, and his team of agents! While some fans of the original series complained that the 'intimacy' the series had was lost, director Andrew Davis only used the 'bigger' aspects as plot elements, placing the focus, wisely, on the dual stories of Kimble's search, and Gerard's pursuit.
Despite the esteem the film has achieved over the years, Harrison Ford has gotten a bad rap for his very understated performance as Richard Kimble. While Tommy Lee Jones certainly had a far flashier role (earning him an Oscar as 'Best Supporting Actor'), Ford's intent wasn't to play 'Indiana Jones', but a man whose whole life was dedicated to his career as a surgeon, and his wife (played, in flashbacks, by the lovely Sela Ward). Seeing his wife brutally murdered devastated him (his scene in the police interrogation room, going to pieces, was largely improvised on the set, and displays some of his finest acting). His search for the killer was not the confident quest of an action hero, but based on uncertain, spur-of-the-moment decisions made by a desperate man, whose medical background was his only tool. Fear does not lend itself to flashy theatrics...
Jones, as Marshal Sam Gerard, on the other hand, was a seasoned veteran, the best at what he did, and pursuing a fugitive was 'old hat' for him. With a confidence bordering on arrogance, he ordered people about like chess pieces, multi-tasked without breaking a sweat, and still could charm with a wicked smile and sarcastic remark. Of COURSE he wins the audience's heart!
Featuring some of the most spectacular action scenes ever recorded on film (the train/bus wreck that frees Kimble, the dive off a dam into the churning maelstrom of the reservoir), as well as two slam-bang fistfights when Kimble finally gets 'justice', THE FUGITIVE still is remembered primarily for the suspenseful Jones/Ford 'cat-and-mouse' chase, cross-country, and the grudging respect that grows between them...which, ultimately, was what the TV series was best remembered for, as well.
There is magic, here!
Based on the popular David Janssen TV series, the film faithfully follows the same premise; a doctor is accused of his wife's death, but escapes before his execution, and tracks down the 'one-armed man' responsible for the murder, as a driven law officer attempts to recapture him. Being a big-budget film, however, the scale of everything is expanded...Dr. Richard Kimble is now a brilliant vascular surgeon, at a major Chicago hospital; the handicapped killer is a dirty ex-cop working on orders from crooked board members of a billion-dollar pharmaceutical firm; and the lawman is no longer a solitary police lieutenant, but a deputy United States Marshal, and his team of agents! While some fans of the original series complained that the 'intimacy' the series had was lost, director Andrew Davis only used the 'bigger' aspects as plot elements, placing the focus, wisely, on the dual stories of Kimble's search, and Gerard's pursuit.
Despite the esteem the film has achieved over the years, Harrison Ford has gotten a bad rap for his very understated performance as Richard Kimble. While Tommy Lee Jones certainly had a far flashier role (earning him an Oscar as 'Best Supporting Actor'), Ford's intent wasn't to play 'Indiana Jones', but a man whose whole life was dedicated to his career as a surgeon, and his wife (played, in flashbacks, by the lovely Sela Ward). Seeing his wife brutally murdered devastated him (his scene in the police interrogation room, going to pieces, was largely improvised on the set, and displays some of his finest acting). His search for the killer was not the confident quest of an action hero, but based on uncertain, spur-of-the-moment decisions made by a desperate man, whose medical background was his only tool. Fear does not lend itself to flashy theatrics...
Jones, as Marshal Sam Gerard, on the other hand, was a seasoned veteran, the best at what he did, and pursuing a fugitive was 'old hat' for him. With a confidence bordering on arrogance, he ordered people about like chess pieces, multi-tasked without breaking a sweat, and still could charm with a wicked smile and sarcastic remark. Of COURSE he wins the audience's heart!
Featuring some of the most spectacular action scenes ever recorded on film (the train/bus wreck that frees Kimble, the dive off a dam into the churning maelstrom of the reservoir), as well as two slam-bang fistfights when Kimble finally gets 'justice', THE FUGITIVE still is remembered primarily for the suspenseful Jones/Ford 'cat-and-mouse' chase, cross-country, and the grudging respect that grows between them...which, ultimately, was what the TV series was best remembered for, as well.
There is magic, here!
- cariart
- 9 sept. 2003
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Fugitive
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 183 875 760 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 23 758 855 $ US
- 8 août 1993
- Brut – à l'échelle mondiale
- 368 875 760 $ US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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