Ajouter une intrigue dans votre langueWriter Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.
- Nommé pour 1 prix Primetime Emmy
- 2 victoires et 8 nominations au total
Parcourir les épisodes
Histoire
Le saviez-vous
- AnecdotesAccording to Rob Lowe, during the filming of the final confrontation with Kurt Barlow, Rutger Hauer went off script, but remained in-character, and launched into a bizarre non-sequitur soliloquy about wanting to be a cowboy. Director Mikael Salomon was not impressed, quickly yelled "Cut!" and asked Hauer what he was doing. After a very tense negotiation, Hauer agreed to stick to the original script, but had not bothered to learn the original two-page speech he gave, so had to read it off cue cards.
- GaffesIn some outdoor night scenes crickets and other insects can be heard clearly yet the ground is covered in snow. During Maine winters there are no insects audible at night.
- Citations
Ben Mears: You're a vampire hunter now.
Dr. James Cody: We'll be home by midnight?
Ben Mears: No, that's Cinderella.
- ConnexionsFeatured in Cinemania: Stephen King: O vasilias tou tromou (2009)
Commentaire en vedette
Just watched the DVD and was gripped from beginning to end. Why all these bad comments? King's book reaches into the well worn bag of Vampire clichés and recreates the myth. Instead of a wild, exotic location, his vampire tale happens in our own back yard - small town USA. The movie, like the book, details characters - typical types, but uniquely drawn to perk our interest - setting up ordinary and recognizable patterns of action and behavior. Enter the vampire; strange things happen, the patterns shake and change; the town goes from sunlit Americana to moonlit nightmare. This movie changes many of King's original notions, but maintains the heart and soul of his book. The first fifteen or twenty minutes, introduced by the Lowe character with a steady and pointed commentary,
brilliantly introduces the story's characters while it's signaling the movie's main conflict. For me, this was seamless storytelling; convincing, entertaining, and, with the overall dark mood reflected in the words and Lowe's voice, a foreshadowing that's all the more ironic because what we're looking at is so ordinary. Being a TV mini series, the film makers didn't have to cram the book into a two hour box. Time is taken to develop characters, relationships; action unfolds at a pace that seems steadily natural - nothing is pushed. Knowing more about the characters means we feel more for them when bad things happen. At least, I did. Rob Lowe's measured, low key performance anchors the movie. I believed he was a writer, who's guarded, repressed nature was rigidly calculated as if all things in life progressed like words in a well written sentence. I found all the Vampire stuff genuinely spooky - mainly because it all seemed so sad. With only a few misguided gestures along the way (the incest bit, for one, seemed unnecessary), this director focused the movie with care and respect. Even when "bad" characters are "changed" we feel a kind of empathy that is all but nonexistent in Horror movies these days. Maybe watching it in one sitting, as I did, with no interruptions, is why I could follow and appreciate things that others (based on the majority of these comments) seemed to miss. My opinion is firm: this is a great movie.
brilliantly introduces the story's characters while it's signaling the movie's main conflict. For me, this was seamless storytelling; convincing, entertaining, and, with the overall dark mood reflected in the words and Lowe's voice, a foreshadowing that's all the more ironic because what we're looking at is so ordinary. Being a TV mini series, the film makers didn't have to cram the book into a two hour box. Time is taken to develop characters, relationships; action unfolds at a pace that seems steadily natural - nothing is pushed. Knowing more about the characters means we feel more for them when bad things happen. At least, I did. Rob Lowe's measured, low key performance anchors the movie. I believed he was a writer, who's guarded, repressed nature was rigidly calculated as if all things in life progressed like words in a well written sentence. I found all the Vampire stuff genuinely spooky - mainly because it all seemed so sad. With only a few misguided gestures along the way (the incest bit, for one, seemed unnecessary), this director focused the movie with care and respect. Even when "bad" characters are "changed" we feel a kind of empathy that is all but nonexistent in Horror movies these days. Maybe watching it in one sitting, as I did, with no interruptions, is why I could follow and appreciate things that others (based on the majority of these comments) seemed to miss. My opinion is firm: this is a great movie.
- nfaust1
- 22 oct. 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How many seasons does Salem's Lot have?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Salem
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant