Six mois après que le virus de la rage se soit répandu en Grande-Bretagne, l'armée américaine aide à sécuriser une petite partie de Londres afin que les survivants puissent s'y installer. Ma... Tout lireSix mois après que le virus de la rage se soit répandu en Grande-Bretagne, l'armée américaine aide à sécuriser une petite partie de Londres afin que les survivants puissent s'y installer. Mais tout ne se passe pas comme prévu.Six mois après que le virus de la rage se soit répandu en Grande-Bretagne, l'armée américaine aide à sécuriser une petite partie de Londres afin que les survivants puissent s'y installer. Mais tout ne se passe pas comme prévu.
- Prix
- 3 victoires et 16 nominations au total
Jordan El-Balawi
- Boy in Cottage
- (as Beans Balawi)
Histoire
Le saviez-vous
- AnecdotesWhen Danny Boyle, Alex Garland and Andrew Macdonald first began to consider a sequel to 28 jours plus tard (2002), their initial idea was to do 29 Days Later, possibly using the characters of Jim (Cillian Murphy), Selena (Naomie Harris) and Hannah (Megan Burns) from the first film. This idea was dropped in favor of doing a film set within the time-frame of 28 Weeks Later..., focusing on a SAS team sent into London to retrieve either the Prime Minister or the Queen. Finally, it was suggested to set the film some time after the events of the initial film, and to deal with the impact Rage has had on society in general.
- GaffesThere is no security of Alice's quarantined room. No guards, not even a single security camera. Don is not scrutinized when he enters her room. The Americans did not even know there was a danger until bodies were found when the now-infected Don escapes. The entire outbreak hinges on this major oversight.
- Générique farfeluLike the first film, there are no opening credits of any kind once the company logos have appeared. Also like the first film, the title of the film appears only as a descriptive subtitle.
- Autres versionsThere is an alternate version when Andy is sitting in a subway station and a train comes with all his undead or uninfected family and he gets on but then it is a hallucination.
- ConnexionsEdited into Cent une tueries de zombies (2012)
Commentaire en vedette
European horror movies used to be theatrical, low-budget and suffering from it, and badly edited. Like its predecessor, 28 Days Later, 28 Weeks Later is nothing like that. I must say this is one of the best horror movies I have seen (and I have seen hundreds), for a number of reasons. Although the movie does juggle many clichés, it does so kind of skillfully, so that you can really expect to be surprised. Most importantly, however, the sequel is as good as the original, which is the greatest surprise of all in the horror genre.
The main gimmick here, like in the original, is a mix of the zombie theme and the killer virus theme. The zombies here are extremely hyped-up, not doped, and instead of being bent on eating the flesh of the living, they behave like rage-driven human beings stripped completely of their superego and ego, and left with the instinct to fight (and yes, as it's the result of a scientific experiment gone bad, the movie can be considered sci-fi). Perhaps due to the fact that this is an European movie, we get something markedly different from the Resident Evil franchise - here, in placed of Resident Evil's focus on showcasing pretty actresses and made-up high-tech, we are treated to a foreboding feeling of isolation and powerlessness in face of helplessness and doom. We get to see normal, everyday people and faces struggling to survive, when practically everyone around them can quickly become the embodiment of evil and destruction. 28 Weeks Later focuses a little more on some action elements than, say, on the question of how long people can uphold their morality and respect for their fellow woman in such peril, but still, this movie stands proudly as a horror flick. And, like I said, it is different - with its crisp visuals (unlike the music-video lushness of a lot of Hollywood film scare), haunting and memorable music and unaffected performances. There are some loopholes in the plot, of course (e.g. really not enough few safety precautions on the part of the military for such a dangerous epidemic potential), but the movie runs smoothly throughout, and even the child actors deliver.
There are better movies with a similar feel (such as Children of Men), but as a sequel to a decent horror movie, 28 Weeks Later certainly stands out. By the way, I think that watching 28 Weeks Later will be an especially scary experience for Londoners, as most of it is set in London. Londoners, beware.
The main gimmick here, like in the original, is a mix of the zombie theme and the killer virus theme. The zombies here are extremely hyped-up, not doped, and instead of being bent on eating the flesh of the living, they behave like rage-driven human beings stripped completely of their superego and ego, and left with the instinct to fight (and yes, as it's the result of a scientific experiment gone bad, the movie can be considered sci-fi). Perhaps due to the fact that this is an European movie, we get something markedly different from the Resident Evil franchise - here, in placed of Resident Evil's focus on showcasing pretty actresses and made-up high-tech, we are treated to a foreboding feeling of isolation and powerlessness in face of helplessness and doom. We get to see normal, everyday people and faces struggling to survive, when practically everyone around them can quickly become the embodiment of evil and destruction. 28 Weeks Later focuses a little more on some action elements than, say, on the question of how long people can uphold their morality and respect for their fellow woman in such peril, but still, this movie stands proudly as a horror flick. And, like I said, it is different - with its crisp visuals (unlike the music-video lushness of a lot of Hollywood film scare), haunting and memorable music and unaffected performances. There are some loopholes in the plot, of course (e.g. really not enough few safety precautions on the part of the military for such a dangerous epidemic potential), but the movie runs smoothly throughout, and even the child actors deliver.
There are better movies with a similar feel (such as Children of Men), but as a sequel to a decent horror movie, 28 Weeks Later certainly stands out. By the way, I think that watching 28 Weeks Later will be an especially scary experience for Londoners, as most of it is set in London. Londoners, beware.
- symbolt
- 12 sept. 2007
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 28 Weeks Later
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 28 638 916 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 807 292 $ US
- 13 mai 2007
- Brut – à l'échelle mondiale
- 65 048 725 $ US
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