Kinetta

I met Lanthimos in 2016 with Dogtooth, but what really made me love his filmmaking was The Killing of a Sacred Deer. I loved the ambiguity, the unsettling feeling, and, of course, the deadpan delivery of the characters. In Kinetta I found very little of that Lanthimos. The movie has little dialogue, and I see it more as an experience than a story. We don't get to know too much about the characters. Hell, we don't even know their names. The plot is nowhere to be found. A lot of times it seems that nothing is happening at all: people walking, cleaning the hotel rooms, eating ice cream, and so on. The pacing is extremely slow, and many scenes drag on for too long. The camera is handheld, sometimes too shaky, and far away from the pristine visuals in Lanthimos latest films. However, I do believe that there's something here. The constant discovery of who the filmmaker is that many years later will develop all of those idyosincrasies and end up making some of the best movies ever.