Un veuf qui a réalisé que son seul lien avec sa famille était que sa femme partait pour un voyage impromptu sur la route pour retrouver chacun de ses enfants adultes.Un veuf qui a réalisé que son seul lien avec sa famille était que sa femme partait pour un voyage impromptu sur la route pour retrouver chacun de ses enfants adultes.Un veuf qui a réalisé que son seul lien avec sa famille était que sa femme partait pour un voyage impromptu sur la route pour retrouver chacun de ses enfants adultes.
- Prix
- 1 victoire et 6 nominations au total
- Jilly
- (as Katherine Moennig)
- Young Amy
- (as Lily Sheen)
- Butcher
- (as Kene Holliday)
- Wine Man
- (as EJ Carroll)
Histoire
Le saviez-vous
- AnecdotesBradley Cooper put himself on tape to audition for a role as Robert De Niro's son (with his own mother playing the part of De Niro). He lost out to Sam Rockwell.
- GaffesWhen Frank takes the train from Chicago to Denver he passes some beautiful scenery, including various desert mesas as well as Glenwood Canyon, both things one would see when approaching Denver via Amtrak from the west, not the east.
- Citations
Young Man in Diner #1: I'm 94. I keep away from the doctors.
Frank Goode: Boy.
Young Man in Diner #1: I have three children, six grandchildren. They're busy. They're too busy to talk to me. I gotta make an appointment. They got lost some place. They don't need anybody. People changed, life is changed. Today, you shake hands with somebody, you gotta count your fingers to make sure you got five fingers back.
- Générique farfeluThe photographs Frank took during his journey are shown alongside the end credits.
- ConnexionsFeatured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
- Bandes originalesCatch a Falling Star
Written by Lee Pockriss, Paul Vance (as Paul J. Vance)
Performed by Perry Como
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a Unit of Sony Music Entertainment by arrangement with Sony Music Licensing
Treading heavy territory to resemble films like About Schmidt, Everybody's Fine is a heartfelt, emotional film that will leave you in tears. Though the narrative could come off a bit over-dramatic at times, there's no denying the warmth that the film conveys to family and loyalty. DeNiro is most effective in his role of Frank Goode, the hard-working father whose long hours putting up coating on telephone wire may have cost him more than he thought. Director, Kirk Jones makes some great artistic choices, especially in the final scenes of the film. One thing however that is surprising is how the film is being marketed. Portraying itself as a holiday-comedy is going to be quite unexpected to viewers as the film is weighty with emotion and less on the laughs.
The supporting players, in this case the adult children, are all beautifully cast. Drew Barrymore has never been sweeter in the role of Rosie, a dancer in Vegas with a "Daddy's Girl" mentality. Kate Beckinsale is stunning in looks and adequate in delivery as Amy, a top advertisement executive. Sam Rockwell, who is long overdue for Oscar attention, plays Robert, the musician who painfully seeks his father's approval.
Enough can't be said about DeNiro who gives one of his finest performances of his career. Showing a softer side yet remaining in tuned with his fatherly instincts, DeNiro has redeemed some of his lesser works in the past years. He takes in some of the best and worst parts of all fathers' across the world. Worrying yet too hard at times it spills over into his children's decisions. Where the narrative misses in some aspects, DeNiro makes up for with his devotion and commitment to the character. It's an outstanding turn for him in his late career.
Over-dramatic, cliché, and a bit predictable, Everybody's Fine shows a beating heart. There's no stupidity or attitude in its form, just pure feeling. If you come from a family of secrets for the greater good (which may be the majority of us), this will speak volumes.
***/****
- ClaytonDavis
- 27 nov. 2009
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Everybody's Fine
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 208 876 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 852 068 $ US
- 6 déc. 2009
- Brut – à l'échelle mondiale
- 16 443 609 $ US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1