ÉVALUATION IMDb
7,4/10
55 k
MA NOTE
Un groupe d'adolescents de Yokohama cherchent à sauver le club-house de leur école de la ruine en préparation pour les Jeux Olympiques de Tokyo en 1964.Un groupe d'adolescents de Yokohama cherchent à sauver le club-house de leur école de la ruine en préparation pour les Jeux Olympiques de Tokyo en 1964.Un groupe d'adolescents de Yokohama cherchent à sauver le club-house de leur école de la ruine en préparation pour les Jeux Olympiques de Tokyo en 1964.
- Prix
- 6 victoires et 11 nominations au total
Sarah Bolger
- Umi Matsuzaki
- (English version)
- (voice)
Chris Noth
- Akio Kazama
- (English version)
- (voice)
Anton Yelchin
- Shun Kazama
- (English version)
- (voice)
Christina Hendricks
- Saori Makimura
- (English version)
- (voice)
Masami Nagasawa
- Umi Matsuzaki
- (voice)
Jun'ichi Okada
- Shun Kazama
- (voice)
- …
Yuriko Ishida
- Miki Hokuto
- (voice)
Rumi Hiiragi
- Sachiko Hirokôji
- (voice)
Jun Fubuki
- Ryoko Matsuzaki
- (voice)
Takashi Naitô
- Yoshio Onodera
- (voice)
Shunsuke Kazama
- Shirô Mizunuma
- (voice)
- …
Nao Ômori
- Akio Kazama
- (voice)
Aoi Teshima
- Yuko
- (voice)
Toshimi Kanno
- Nobuko Yokoyama
- (voice)
Histoire
Le saviez-vous
- AnecdotesThe three siblings (Riku, Umi, and Sora) mean "Land, sea, and sky" in Japanese.
- GaffesAlthough the movie takes place in the early 1960s, the "Coke" sign over the store (at around 6 mins) has a swoosh. That didn't become part of the Coca-Cola logo until 1969.
- Citations
Shun Kazama: There's no future for people who worship the future, and forget the past.
- Générique farfeluWhen Umi and Shun board the ship to find out the truth about their parentage, there is a shot that shows a red sign saying "Ghibli" on the front of the ship.
- Autres versionsThe American version of the film has an additional tag for the end credits, listing the creators of the English dub. The style is completely different from the rest of the credits and the music is an English version of "The Indigo Waves", the choral song from the end of the film.
- ConnexionsFeatured in Schaffrillas Productions: Every Studio Ghibli Movie Ranked (2021)
- Bandes originalesSayonara no Natsu ~Kokuriko-zaka kara~
("Summer of Goodbyes ~From up on Poppy Hill~")
(1976)
Lyrics by Yukiko Marimura
Composed by Kôichi Sakata
Arranged by Satoshi Takebe
Sung by Aoi Teshima
Courtesy of Yamaha Music Communications
Commentaire en vedette
Having seen Tales from Earthsea, I wasn't expecting much from this film, although it had garnered some positive feedback. Goro Miyazaki had already shown us that he didn't share his father's magical touch, creative ingenuity and ability to tell timeless stories. That being said, I was pleasantly surprised by this film. Though to be fair, the story was written by Hayao Miyazaki so at least part of the film's quality can be attributed to him and not his son.
Still, Goro Miyazaki DID direct this film and with it he proves that he actually has some promise as a film artist. This is a delightful little film about young love, willingness to endure through hardship and the importance of trying even when it seems pointless. It's a story told well, with beautiful animation, identifiable and likable characters and many scenes that have stuck with me since then. The story of two young people in love and all the obstacles in their way is one that has been told countless times, but the version of this film is one of better ones I've seen. It's not flamboyant, neither is it too sweet or too clinical, rather it feels real. Sure it's a bit extraordinary, like a good story should be, but it still feels like I could learn something from it.
So yes, the story and the characters are the best part of this film, for which we have to thank pappa Miyazaki, but I liked the contributions of the son as well. The atmosphere, the mood of the film, the feeling of mid-century Japan, the way all the characters interacted with each other. As stated before, it all felt just extraordinary enough to catch our interest, but not too much so that it became unbelievable.
Though, in retrospect, I cannot say that I felt like I had seen something groundbreaking when I walked out of the theater. It is a fine movie by all accounts and Studio Ghibli can be proud to call it one of theirs, but it lacked that certain spark that all great films have. In that one singular aspect this film just wasn't all that extraordinary. It doesn't mean that you should see it, though, far from it. It's a film with heart, feeling and passion. It has cheer, humour and melodrama to spare and it will make you feel good, like a family film should.
Still, Goro Miyazaki DID direct this film and with it he proves that he actually has some promise as a film artist. This is a delightful little film about young love, willingness to endure through hardship and the importance of trying even when it seems pointless. It's a story told well, with beautiful animation, identifiable and likable characters and many scenes that have stuck with me since then. The story of two young people in love and all the obstacles in their way is one that has been told countless times, but the version of this film is one of better ones I've seen. It's not flamboyant, neither is it too sweet or too clinical, rather it feels real. Sure it's a bit extraordinary, like a good story should be, but it still feels like I could learn something from it.
So yes, the story and the characters are the best part of this film, for which we have to thank pappa Miyazaki, but I liked the contributions of the son as well. The atmosphere, the mood of the film, the feeling of mid-century Japan, the way all the characters interacted with each other. As stated before, it all felt just extraordinary enough to catch our interest, but not too much so that it became unbelievable.
Though, in retrospect, I cannot say that I felt like I had seen something groundbreaking when I walked out of the theater. It is a fine movie by all accounts and Studio Ghibli can be proud to call it one of theirs, but it lacked that certain spark that all great films have. In that one singular aspect this film just wasn't all that extraordinary. It doesn't mean that you should see it, though, far from it. It's a film with heart, feeling and passion. It has cheer, humour and melodrama to spare and it will make you feel good, like a family film should.
- Vartiainen
- 1 nov. 2012
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Détails
Box-office
- Budget
- 22 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 002 895 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 57 585 $ US
- 17 mars 2013
- Brut – à l'échelle mondiale
- 61 485 364 $ US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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