Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.
- Récompenses
- 28 victoires et 96 nominations au total
Histoire
Le saviez-vous
- AnecdotesTilda Swinton doesn't appear on screen but is the voice of the auctioneer that Howard argues with over the phone.
- GaffesHoward asks his wife to change the channel to ESPN so he can watch the game. When the game is shown, the station logo is for TNT.
- Citations
Howard Ratner: And who's this guy?
Julia: It's this guy The Weeknd.
Howard Ratner: What the fuck is The Weeknd?
Julia: He's gonna be major, even though he's from Canada.
Howard Ratner: This guy looks stupid.
- Crédits fousSPOILER: The end is almost a mirror image of the beginning, with the camera tunneling into Howard Ratner's (Adam Sandler) face, again on a microscopic level and again transitioning, but this time into what is possibly the beginning of time, and showing the night sky.
- Bandes originalesType of Way
Written by Rich Homie Quan (as Dequantes Lamar) and Yung Carter (as Lionel Carter Jr.)
Performed by Rich Homie Quan
Courtesy of Def Jam Recordings
under license from Universal Music Enterprises
Commentaire à la une
The first five minutes of Uncut Gems are bewildering and disruptive; it feels like you re thrown into the middle of something, can't quite hear what is going on, and feel the pressure of whatever situation we have just found ourselves. It continues from there with an intensity that is relentless. It does not make for an easy film, but it makes for an engaging one. It totally sells the sense of addiction and relentlessness of gambling - the highs it offers through the thrill of the chase and the elation of the win, but also the lows of the many downsides and loses.
In doing this, it is a terrific film if you are looking to feel a sense of oppression and anxiety, because this is what it does best. It has a comparatively long running time, but it feels shorter because of how consistently relentless it is. Within this Sandler is the beating heart, convincing in every aspect of his character. It is a tough watch though, because it is very much one-note in its content and message - so it does depend on how much you enjoy that sense of falling self-destruction combined with joy - I really liked it for how well it did it, even if it does feel enclosing and tough. The way it allows Howard his highs and his lows helps; it is not some terrible cautionary tale - we get to see what his life gives him and how he chases (and occasionally gets) the thrill of the big win.
The whole production sets and matches the tone of the film as a whole. There is glamour in the locations, but they also feel tired and forced; the jewellery shop in particular gets this right - it is full of hugely expensive items and has celebrities in it, but yet it has that annoying buzzer, cheap furniture, no windows, and a smell of desperation around it. It probably as a whole isn't a film I'd say I really enjoyed, but as an experience it was engrossing and convincing in its highs and lows, with all aspects of the delivery perfectly in synch to make it work.
In doing this, it is a terrific film if you are looking to feel a sense of oppression and anxiety, because this is what it does best. It has a comparatively long running time, but it feels shorter because of how consistently relentless it is. Within this Sandler is the beating heart, convincing in every aspect of his character. It is a tough watch though, because it is very much one-note in its content and message - so it does depend on how much you enjoy that sense of falling self-destruction combined with joy - I really liked it for how well it did it, even if it does feel enclosing and tough. The way it allows Howard his highs and his lows helps; it is not some terrible cautionary tale - we get to see what his life gives him and how he chases (and occasionally gets) the thrill of the big win.
The whole production sets and matches the tone of the film as a whole. There is glamour in the locations, but they also feel tired and forced; the jewellery shop in particular gets this right - it is full of hugely expensive items and has celebrities in it, but yet it has that annoying buzzer, cheap furniture, no windows, and a smell of desperation around it. It probably as a whole isn't a film I'd say I really enjoyed, but as an experience it was engrossing and convincing in its highs and lows, with all aspects of the delivery perfectly in synch to make it work.
- bob the moo
- 15 août 2020
- Permalien
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- How long is Uncut Gems?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Diamantes en bruto
- Lieux de tournage
- Okiep, Northern Cape, Afrique du Sud(opening scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 023 780 $US
- Week-end de sortie aux États-Unis et au Canada
- 537 242 $US
- 15 déc. 2019
- Montant brut mondial
- 50 023 780 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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