Ajouter une intrigue dans votre langueA hula dancer at a carnival sets out to seduce the son of the show's manager.A hula dancer at a carnival sets out to seduce the son of the show's manager.A hula dancer at a carnival sets out to seduce the son of the show's manager.
Erville Alderson
- The Sheriff
- (non crédité)
Dick Dickinson
- Carnival Spectator
- (non crédité)
Ethel Loreen Greer
- Fat Lady
- (non crédité)
Chuck Hamilton
- Side-Show Troublemaker
- (non crédité)
Otis Harlan
- Town Councilman - Side Show Customer
- (non crédité)
John Irwin
- Roustabout
- (non crédité)
William Le Maire
- Tall Gum-chewing Spectator
- (non crédité)
Frank Mills
- Barker
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIn 1930, Clara Bow's secretary Daisy DeVoe left the star in a fit of anger after an argument, taking piles of the actress's personal documents with her. DeVoe tried to blackmail Bow, but the star called the police and took DeVoe to court, which ended up backfiring horribly. The trial ensured that all of Bow's private dalliances became public knowledge, and the actress never had the cleanest record. Her dirty laundry was nowhere near as bad as the tabloids were making out at the time, but she did gamble, had taken multiple lovers without marrying them (still shocking in the 1920s), and was guilty of starting some sort of affair with an older married doctor, whose wife named Bow as a cause for "alienation of affection" in the couple's divorce. Ultimately, the rumors surrounding Bow were enough for Paramount to cancel her contract with them. The actress's star was already fading and it was hard work doing constant damage control on the many allegations surrounding her. As a result, she never appeared in another film after this one.
- ConnexionsFeatured in Hollywood (1980)
Commentaire à la une
Very few performers can take an ordinary or above average script and make the movie stand out and make you want to see it again. I think Clara Bow was one of the few actresses that had that ability- not just with this film (and this story arguably centers around the father-son characters, not Clara's), but many of the others throughout her career. Without Clara in the part of Lou, this is just an average pre-Code film that would have been long forgotten (they certainly weren't trying to put anything by the censors in this one- a skinnydipping scene, Clara undressing, and Nifty's girlfriend upset because she can't spend the night with him because he doesn't want his son to know- by 1935 the Hays Office would would not permit any of this on screen). Watching her seduce the naive son of the carnival barker was fun to watch, as was the scene when she gets busted by a cop and a father for conning a ring from another young man. Hoopla does provide an interesting glimpse into carney life and rail travel in the early 1930s. The supporting cast is fine, particularly Richard Cromwell as Nifty, but I think with a little more effort on the writing and direction this could have even better.
Although this may be one her better sound films, I wouldn't rate it at quite at the same level of Clara's best silent films, It and Mantrap, but it's still enjoyable. Clara clearly thrived in the silent environment and some have said that dialogue and the the constraints of the early sound stages restricted the uninhibited It girl. Maybe so, but I would argue that much of that can be attributed to the average material she was given to work with. This actress was capable of much more if she had been cast in better roles throughout her career. According to her biographer, Clara was not enthusiastic about making Hoopla, she just wanted to get it over with so she could fulfill her contract to Fox and retire. Regardless, if you are a Clara fan or just a fan of pre-Code films, odds are you will enjoy this one. I know I did and will watch Clara again and again!
Although this may be one her better sound films, I wouldn't rate it at quite at the same level of Clara's best silent films, It and Mantrap, but it's still enjoyable. Clara clearly thrived in the silent environment and some have said that dialogue and the the constraints of the early sound stages restricted the uninhibited It girl. Maybe so, but I would argue that much of that can be attributed to the average material she was given to work with. This actress was capable of much more if she had been cast in better roles throughout her career. According to her biographer, Clara was not enthusiastic about making Hoopla, she just wanted to get it over with so she could fulfill her contract to Fox and retire. Regardless, if you are a Clara fan or just a fan of pre-Code films, odds are you will enjoy this one. I know I did and will watch Clara again and again!
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- How long is Hoopla?Alimenté par Alexa
Détails
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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