Ajouter une intrigue dans votre langueA wealthy, proper society girl finds that she's much more popular with men when she pretends to be a "bad" girl.A wealthy, proper society girl finds that she's much more popular with men when she pretends to be a "bad" girl.A wealthy, proper society girl finds that she's much more popular with men when she pretends to be a "bad" girl.
- Récompenses
- 2 victoires au total
Don Dillaway
- Jerry
- (as Donald Dillaway)
Blanche Friderici
- Nora
- (as Blanche Frederici)
William Begg
- Bill DuVal
- (non crédité)
Florence Britton
- Rene's Lover
- (non crédité)
Sheila Bromley
- Party Guest
- (non crédité)
Bruce Cabot
- Party Guest
- (non crédité)
Mathilde Comont
- Waitress
- (non crédité)
Thomas A. Curran
- Undetermined Supporting Role
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesWas about to start filming with rising star Robert Williams in the role of Guy when Williams died from a sudden attack of appendicitis and peritonitis. Ben Lyon replaced him in the role.
- Gaffes(at around 9 mins) Venice mentions to Donnie that her drink is strong. When he offers to taste it, she hands him a glass that has less liquid than when it cuts to him tasting the cocktail.
- Citations
Guy Bryson: You look like a ... good girl.
Venice Muir: Oh, do I?
Guy Bryson: You are a good girl, aren't you?
Venice Muir: Yes, I'm afraid that may be my trouble.
- Bandes originalesYou're Driving Me Crazy
(1930) (uncredited)
Written by Walter Donaldson
Played as dance music at Lola's partry
Commentaire à la une
This is a charming, subtle little pre-code in which everything is implied and little actually shown.
Constance Bennet is a good girl from a good New York family and no one finds her interesting. In Paris she finds Ben Lyon, an indigent American who bums a beer from her. She hires him as a gigolo and he shows her how to be fascinating to men, using frequent kicks to the shin to encourage her education.
Lyon is particularly good in his fast-talking role and Miss Bennet is at her most charming. The two have real chemistry together and Edward Griffith directs with a gracefully moving camera under the control of the under-rated Hal Mohr. All of these combine to produce a comedy that is knowing without being cynical.
Constance Bennet is a good girl from a good New York family and no one finds her interesting. In Paris she finds Ben Lyon, an indigent American who bums a beer from her. She hires him as a gigolo and he shows her how to be fascinating to men, using frequent kicks to the shin to encourage her education.
Lyon is particularly good in his fast-talking role and Miss Bennet is at her most charming. The two have real chemistry together and Edward Griffith directs with a gracefully moving camera under the control of the under-rated Hal Mohr. All of these combine to produce a comedy that is knowing without being cynical.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Una mujer con pasado
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 541 075 $US (estimé)
- Durée1 heure 20 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Lady with a Past (1932) officially released in India in English?
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