NOTE IMDb
6,6/10
4,2 k
MA NOTE
Ajouter une intrigue dans votre langueTwo playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.
- Récompenses
- 3 victoires au total
Elvia Allman
- Homely Girl
- (non crédité)
Johnny Arthur
- Timothy Willow
- (non crédité)
Bobby Barber
- Man Hit with Soap Suds
- (non crédité)
Monte Blue
- High Priest
- (non crédité)
Harry C. Bradley
- Secretary
- (non crédité)
Don Brodie
- Fred
- (non crédité)
Arthur Q. Bryan
- Bartender
- (non crédité)
James Conaty
- Yacht Party Guest
- (non crédité)
Carmen D'Antonio
- Native Girl
- (non crédité)
Paula DeCardo
- Native Dancing Girl
- (non crédité)
Jimmy Dime
- Sailor in Saloon
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAfter Fred MacMurray and George Burns turned down the chance to make this film, producer Harlan Thompson offered it to Bob Hope and Bing Crosby. Thompson had seen the pair clowning on the Paramount lot, and it seemed to him that they got along well.
- GaffesIn one of the opening shots of the ship coming into port, the smoke from factories along the shore is moving backwards into the smokestacks.
- Citations
Joshua 'Josh' Mallon V: If the world was run right, only women'd get married.
Ace Lannigan: Yeah. Hey, could they do that?
- ConnexionsFeatured in Bing Crosby and Fred Astaire: A Couple of Song and Dance Men (1975)
- Bandes originalesFaithful Forever
(1939) (uncredited)
Music by [Ralph Rainger] and [Leo Robin]
Played in the score during Josh's engagement party
Commentaire à la une
Fleeing misadventures with girls once again, two playboys escape from women (in particular an arranged marriage for Josh Mallon by his shipping magnate father). However when they arrive in Singapore they meet Mima. A first the two use her for free labour, then they want their freedom from a woman but then they realise that they both want some time with her and compete for her affections.
The first of the successful Road movies is the foundation on which the others were build, basically meaning that this is straight to formula without the shine and added touches that we got with the middle movies (before they just got silly towards the end). The plot is stronger as a result but it does feel a little ordinary in comparison to some of their later hi-jinx. However the film is weakened by far too many musical numbers, I don't mind about 2 or even 3 but here it was pushing up to about 5+ in a 80 minute run time. While these do give the film a more general entertainment value I prefer the out and out comedy of Hope and Crosby and the songs took away from that.
This is not to say it isn't funny, but just that the duo seem to be finding their feet still. The jokes are good and the banter is sharp without being too knowing. Crosby plays the playboy very well and Hope is more controlled than usual he is actually operating within the bounds of the film and not doing any knowing gags. This is a bit of a surprise for me as I'm used to hope being bigger than the film and interacting with the audience, but I still enjoyed it, he even worked better in the serious parts. Lamour is more understated than later films but it is strange to see a woman so clearly white portraying a woman supposed to be of ethnic origin but I guess that's the period.
Overall this is an enjoyable film but not the Road series at it's best. Instead this is the birth of the series and the formula is in place with a solid plot and songs, personally I preferred the middle movies where they let rip with the comedy a bit more but not to the point of silliness.
The first of the successful Road movies is the foundation on which the others were build, basically meaning that this is straight to formula without the shine and added touches that we got with the middle movies (before they just got silly towards the end). The plot is stronger as a result but it does feel a little ordinary in comparison to some of their later hi-jinx. However the film is weakened by far too many musical numbers, I don't mind about 2 or even 3 but here it was pushing up to about 5+ in a 80 minute run time. While these do give the film a more general entertainment value I prefer the out and out comedy of Hope and Crosby and the songs took away from that.
This is not to say it isn't funny, but just that the duo seem to be finding their feet still. The jokes are good and the banter is sharp without being too knowing. Crosby plays the playboy very well and Hope is more controlled than usual he is actually operating within the bounds of the film and not doing any knowing gags. This is a bit of a surprise for me as I'm used to hope being bigger than the film and interacting with the audience, but I still enjoyed it, he even worked better in the serious parts. Lamour is more understated than later films but it is strange to see a woman so clearly white portraying a woman supposed to be of ethnic origin but I guess that's the period.
Overall this is an enjoyable film but not the Road series at it's best. Instead this is the birth of the series and the formula is in place with a solid plot and songs, personally I preferred the middle movies where they let rip with the comedy a bit more but not to the point of silliness.
- bob the moo
- 5 juin 2003
- Permalien
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- How long is Road to Singapore?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Road to Singapore
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was En route vers Singapour (1940) officially released in India in English?
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