Une companie de films meut et ses acteurs font la transistion vers les films 'sonores'Une companie de films meut et ses acteurs font la transistion vers les films 'sonores'Une companie de films meut et ses acteurs font la transistion vers les films 'sonores'
- Nommé pour 2 Oscars
- 8 victoires et 9 nominations au total
Dawn Addams
- Teresa - a Lady-in-Waiting
- (non crédité)
John Albright
- Call Boy
- (non crédité)
Shirlee Allard
- Chorus Girl
- (non crédité)
Bebe Allen
- Chorus Girl
- (non crédité)
Sue Allen
- Chorus Girl
- (non crédité)
John Angelo
- Dancer
- (non crédité)
Marie Ardell
- Chorus Girl
- (non crédité)
David Bair
- Chorus Boy
- (non crédité)
Jane Bateman
- Chorus Girl
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesFor the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
- GaffesDuring the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
- Citations
Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.
- ConnexionsEdited from Les Trois Mousquetaires (1948)
- Bandes originalesFit as a Fiddle
(1932)
Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)
Lyrics by Arthur Freed
Originally from the 1932 stage revue "George White's Music Hall Varieties"
Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)
Commentaire à la une
This is my favorite movie musical with no stage forebear.
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cantando bajo la lluvia
- Lieux de tournage
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(New York City Streets)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 540 800 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 884 537 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 643 $US
- 10 nov. 2002
- Montant brut mondial
- 2 093 659 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Chantons sous la pluie (1952) officially released in India in Hindi?
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