NOTE IMDb
7,2/10
11 k
MA NOTE
La vie et l'histoire de Calamity Jane, de son saloon à son histoire d'amour avec Wild Bill Hickok.La vie et l'histoire de Calamity Jane, de son saloon à son histoire d'amour avec Wild Bill Hickok.La vie et l'histoire de Calamity Jane, de son saloon à son histoire d'amour avec Wild Bill Hickok.
- Récompensé par 1 Oscar
- 2 victoires et 5 nominations au total
Allyn Ann McLerie
- Katie Brown
- (as Allyn McLerie)
Victor Adamson
- Barfly
- (non crédité)
Fred Aldrich
- Chicagoan
- (non crédité)
Leon Alton
- Townsman
- (non crédité)
Monya Andre
- Woman at Fort Dance
- (non crédité)
Beulah Archuletta
- Indian Woman in Saloon Balcony
- (non crédité)
Emile Avery
- Barfly
- (non crédité)
Mary Bayless
- Woman at Fort Dance
- (non crédité)
George Bell
- Barfly
- (non crédité)
Ray Bennett
- Officer at Fort Dance
- (non crédité)
Arthur Berkeley
- Bartender
- (non crédité)
Histoire
Le saviez-vous
- GaffesAfter leaving the ball at the fort, we cut to a shot of Calamity's bare back as she is undressing. Once she gets the dress off she is shown wearing undergarments that clearly cover most of her back.
- Citations
[the singer is a man in drag]
Wild Bill Hickok: She ain't very good lookin'
Calamity Jane: That ain't all she ain't.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl: "AMORE SOTTO COPERTA (1948) + CALAMITY JANE (Non sparare baciami, 1953)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in The Doris Mary Anne Kappelhoff Special (1971)
- Bandes originalesThe Deadwood Stage (Whip-Crack-Away)
Written by Sammy Fain
Lyrics by Paul Francis Webster
Sung and whistled by chorus behind credits, then sung by Doris Day and chorus
Commentaire à la une
For a film that is fifty years old 'Calamity Jane' still entertains. It is usually compared unfavorably to 'Annie Get Your Gun' but I always enjoy this more. Doris Day dominates the film; dressed in buckskin or in frills, toting a gun or wielding a broom, belting out a song or doing a pratfall. Certainly a high point of her varied career. Her sheer energy is breath taking and it is no wonder that the rest of the cast seem subdued in comparison. Even Howard Keel is a bit wooden.
The songs are great, scattered through the uncomplicated plot like jewels, from the bouncy 'Deadwood Stage' to the combative 'I Can Do Without You' to the under rated 'High As A Hawk' and climaxing with the anthemic 'Secret Love'. 'A Woman's Touch' is not proof to our modern cynicism (for good reason) but it is still jolly song.
Looking back we can give other readings of the film; the cross dressing, the gay resonances, the treatment of the native Americans, the ownership of land. Which may all be true but it is basically what it is, a colourful and tuneful film that can be enjoyed time after time. It is mighty pretty and on its own terms pretty mighty.
The songs are great, scattered through the uncomplicated plot like jewels, from the bouncy 'Deadwood Stage' to the combative 'I Can Do Without You' to the under rated 'High As A Hawk' and climaxing with the anthemic 'Secret Love'. 'A Woman's Touch' is not proof to our modern cynicism (for good reason) but it is still jolly song.
Looking back we can give other readings of the film; the cross dressing, the gay resonances, the treatment of the native Americans, the ownership of land. Which may all be true but it is basically what it is, a colourful and tuneful film that can be enjoyed time after time. It is mighty pretty and on its own terms pretty mighty.
- henry-girling
- 9 avr. 2003
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Détails
Box-office
- Montant brut mondial
- 7 150 $US
- Durée1 heure 41 minutes
- Rapport de forme
- 1.37 : 1
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By what name was La blonde du Far-West (1953) officially released in India in English?
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