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Un réalisateur essaie de créer le meilleur film de l'histoire, mais découvre que les capacités humaines ont leurs limites.Un réalisateur essaie de créer le meilleur film de l'histoire, mais découvre que les capacités humaines ont leurs limites.Un réalisateur essaie de créer le meilleur film de l'histoire, mais découvre que les capacités humaines ont leurs limites.
Birgit Lindkvist
- Anna
- (as Bibi Lindkvist)
John W. Björling
- Man in Birgitta's Dream
- (non crédité)
Sven Björling
- Filmworker at Film Studio
- (non crédité)
Anita Blom
- Anna
- (non crédité)
Britta Brunius
- Lasse's Mother
- (non crédité)
Åke Engfeldt
- Police Officer
- (non crédité)
Gösta Ericsson
- Police Officer
- (non crédité)
Kenne Fant
- Arne
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIngmar Bergman's first film based on his own original screenplay.
- Crédits fousThere are no opening titles in this film. An unseen narrator (Hasse Ekman) reads the credits, as well as the title, out loud approximately ten minutes in to the movie. The sole title card is the standard "Slut" (Swedish for "End") that closes the picture.
- ConnexionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Bandes originalesDrömmen
Composed by Erland von Koch (1949)
Commentaire à la une
An ex Maths teacher announces he's just been released from a lunatic asylum (as you do) to some people making a film. (He used to teach one of them). He says that he has ideas about the Devil. The filmmakers try to adapt those ideas into a screenplay. Apparently they reject those ideas -after making them - for this film presumably.
The meandering narrative seems to explore scenarios that surround some pretty miserable and uninteresting people. I think I read that it's Bergman's first film to look solely at mild horror and the place of the Devil, both in philosophy, film and in folklore. Suicide, alcoholism, prostitution, even drowning babies born to the under-aged get limp, clumsy and unconvincing treatment.
It's pretty impossible to follow and no doubt spoilt by knowing what gems came later from the Master of Darkness.
Best thing to come out of it was a line that I've slightly altered - "Life Itself is a terminal illness "
The meandering narrative seems to explore scenarios that surround some pretty miserable and uninteresting people. I think I read that it's Bergman's first film to look solely at mild horror and the place of the Devil, both in philosophy, film and in folklore. Suicide, alcoholism, prostitution, even drowning babies born to the under-aged get limp, clumsy and unconvincing treatment.
It's pretty impossible to follow and no doubt spoilt by knowing what gems came later from the Master of Darkness.
Best thing to come out of it was a line that I've slightly altered - "Life Itself is a terminal illness "
- tim-764-291856
- 22 nov. 2010
- Permalien
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Détails
Box-office
- Budget
- 240 000 SEK (estimé)
- Durée1 heure 19 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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