NOTE IMDb
4,9/10
481
MA NOTE
Ajouter une intrigue dans votre langueA safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.
Histoire
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- AnecdotesDirector Antonio Margheriti was famed for his usage of scale models and miniatures as special effects for his films. This movie features two car chase sequences (one set on an abandoned railway and the other set in the desert) that almost look like they were big-budgeted stunt set pieces, but were actually filmed with radio-controlled models racing on specifically built small-size dioramas.
- GaffesAt the end of the movie when the tomb is collapsing and debris is falling you can clearly see a crew member push a column over as soon as David Warbeck runs past it.
- ConnexionsEdited into Cop Game (1988)
Commentaire à la une
First off, I'm a big fan of Italian genre cinema in general and of the director Antonio Margheriti in particular. This isn't film as art but commerce. The Italians were experts at exploiting the popularity of various American films and selling the imitations worldwide. This particular film is (obviously) derivative of Indiana Jones with a little James Bond thrown in.
Margheriti was a very competent director who elevated the cheap films he directed. He almost always assembles a solid cast (as is the case in Ark of the Sun God) and packs his movies full of outlandish special effects. His use of miniatures is especially impressive although this film doesn't reflect his best use of them. Although I have high praise for his work both in this film and others, many people will laugh at what is presented. It is a cheap film and the FX aren't always anywhere near Hollywood standards. But Margheriti still consistently produced entertaining films, on the cheap, with exotic locations (in this case Turkey), and wild FX. It's the cinema equivalent of a comic book from the 50s...cheap, disposable, juvenile, but fun as hell.
As to this film in particular, Ark of the Sun God is an entertaining adventure film that takes place mostly in Turkey. David Warbeck is solid (as usual) as the lead, as is John Steiner who takes on a secondary role. Lucinno Pigozzi, who is a regular in Antonio Margheriti's films, returns here as Beetle--he was a very solid character actor little known outside of Italy. Of course the whole movie is dubbed (many Italian genre films of the era were filmed without sound and dubbed in post-production). The plot involves finding and stealing a valuable artifact from an ancient tomb, all the while being chased by various goons. Standard boilerplate nonsense. The whole thing is utterly ridiculous and disposable. If you're looking for innovative cinema, look elsewhere. But the movie is fun in the same way as those old comic books were. They were pretty much considered disposable schlock as well until folks began to appreciate the talent that went into creating them.
Margheriti was a very competent director who elevated the cheap films he directed. He almost always assembles a solid cast (as is the case in Ark of the Sun God) and packs his movies full of outlandish special effects. His use of miniatures is especially impressive although this film doesn't reflect his best use of them. Although I have high praise for his work both in this film and others, many people will laugh at what is presented. It is a cheap film and the FX aren't always anywhere near Hollywood standards. But Margheriti still consistently produced entertaining films, on the cheap, with exotic locations (in this case Turkey), and wild FX. It's the cinema equivalent of a comic book from the 50s...cheap, disposable, juvenile, but fun as hell.
As to this film in particular, Ark of the Sun God is an entertaining adventure film that takes place mostly in Turkey. David Warbeck is solid (as usual) as the lead, as is John Steiner who takes on a secondary role. Lucinno Pigozzi, who is a regular in Antonio Margheriti's films, returns here as Beetle--he was a very solid character actor little known outside of Italy. Of course the whole movie is dubbed (many Italian genre films of the era were filmed without sound and dubbed in post-production). The plot involves finding and stealing a valuable artifact from an ancient tomb, all the while being chased by various goons. Standard boilerplate nonsense. The whole thing is utterly ridiculous and disposable. If you're looking for innovative cinema, look elsewhere. But the movie is fun in the same way as those old comic books were. They were pretty much considered disposable schlock as well until folks began to appreciate the talent that went into creating them.
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- How long is The Ark of the Sun God?Alimenté par Alexa
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By what name was Le temple du dieu soleil (1984) officially released in India in English?
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