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Ajouter une intrigue dans votre langueIn 1950s America, an FBI agent and a blacklist victim uncover a plot to smuggle Nazi war criminals into the country.In 1950s America, an FBI agent and a blacklist victim uncover a plot to smuggle Nazi war criminals into the country.In 1950s America, an FBI agent and a blacklist victim uncover a plot to smuggle Nazi war criminals into the country.
- Récompenses
- 1 victoire au total
Kenneth Welsh
- Hackett
- (as Ken Welsh)
Christopher Buchholz
- Stefan
- (as Christopher Rhode)
Histoire
Le saviez-vous
- AnecdotesDuring the scene in the used book store while Emily is talking to Stefan, on the shelf behind her one can clearly identify three volumes of Negley Farson's autobiography "The Way of a Transgressor". Farson, after having been expelled from Andover, became a foreign correspondent and actually met Hitler in person.
- Crédits fousAfter the usual "all incidents are fictional" disclaimer, it states "In particular, the producers do not intend to imply that Life Magazine dismissed any of its employees for their political beliefs or activities. The producers appreciate that Life Magazine recognizes the right of its employees to pursue their own political choices."
- Bandes originalesExcerpts from A Woman Called Fancy
By Frank Yerby
Commentaire à la une
Much has been made of films which use past decades to set their stories in, but much less praise has been directed at those which emulate the style originally employed in that period. There has, of course, been many failures to replicate the successful Alfred Hitchcock formula. "The House on Carroll Street" is not one of those. It falls into neither common failing of such films - there is no attempt to graft an anachronistic approach to an older style, nor to bring that older style into a modern decade. This film understands that such a style cannot be separated from the emotions and perceptions of the time.
Peter Yates, a director who generally creates for the present time, does an unexpectedly excellent job at recreating this lost world. He uses cinematographer Michael Ballhaus (who went on to photograph "Quiz Show", another 1950s recreation) to wonderful effect, letting him capture his scenes in a manner that never once strays from the older approach. Yates shows us how thrilling the suspense and big set-pieces can be when not buried in special effects and quick cuts. Yates proves why he's one of the great overlooked talents.
Jeff Daniels and Kelly McGillis have very much that 'star chemistry' valued for this sort of picture. McGillis, especially, brings a lightness and intensity most modern actresses could only pretend at. Patinkin is appropriately menacing. Jessica Tandy was my favorite performance, a tiny role nonetheless brightened by the nuances she brings to it. Christopher Buchholz provides an engaging, fearful, yet somehow innocent performance to the character of Stefan.
Imagining that "The House on Carroll Street" were somehow released during the era in which it is set, I have little doubt it would be considered one of the great classics. Films such as "North By Northwest" have all the same limitations and plot implausibilities, yet are no more or less thrilling than this one. I see nothing of lower quality to be found here, only a picture made in a period where it couldn't be recognized. If you love the classic thrillers, you should certainly love this one as well.
Peter Yates, a director who generally creates for the present time, does an unexpectedly excellent job at recreating this lost world. He uses cinematographer Michael Ballhaus (who went on to photograph "Quiz Show", another 1950s recreation) to wonderful effect, letting him capture his scenes in a manner that never once strays from the older approach. Yates shows us how thrilling the suspense and big set-pieces can be when not buried in special effects and quick cuts. Yates proves why he's one of the great overlooked talents.
Jeff Daniels and Kelly McGillis have very much that 'star chemistry' valued for this sort of picture. McGillis, especially, brings a lightness and intensity most modern actresses could only pretend at. Patinkin is appropriately menacing. Jessica Tandy was my favorite performance, a tiny role nonetheless brightened by the nuances she brings to it. Christopher Buchholz provides an engaging, fearful, yet somehow innocent performance to the character of Stefan.
Imagining that "The House on Carroll Street" were somehow released during the era in which it is set, I have little doubt it would be considered one of the great classics. Films such as "North By Northwest" have all the same limitations and plot implausibilities, yet are no more or less thrilling than this one. I see nothing of lower quality to be found here, only a picture made in a period where it couldn't be recognized. If you love the classic thrillers, you should certainly love this one as well.
- SteveSkafte
- 24 avr. 2010
- Permalien
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- How long is The House on Carroll Street?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The House on Carroll Street
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 459 824 $US
- Montant brut mondial
- 459 824 $US
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By what name was Une femme en péril (1988) officially released in Canada in English?
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