Piège mortel à Hawaï

Dona Speir admitted in her autobiography that she was intoxicated for much of the shoot and subsequently embarrassed by her performance. Despite this, she was well liked by Andy Sidaris and his wife, producer Arlene Sidaris, who offered her the opportunity to reprise her role in the sequel, Picasso Trigger (1988). Speir partially attributes this to her decision to get clean, remaining sober for the duration of the shoot and going on to appear in five more Sidaris films. Speir also credits the Sidarises' support with her remaining sober, as they had a driver on stand-by at all times to take her to an AA meeting if she felt she might relapse.

The bazooka damage varies wildly in the movie.

Instead of opticals, all the credits are printed on brown packing paper and stuck on boxes and various items in the warehouse set both during the opening and end credits.

Featured in Joe Bob's Drive-In Theater: Aardvark Jubilee (1995)