Sailor et Lula, deux jeunes amants, cherchent à fuir des griffes de la mère de la demoiselle et de la cohorte de détraqués lancés à leurs trousses pour tuer Sailor.Sailor et Lula, deux jeunes amants, cherchent à fuir des griffes de la mère de la demoiselle et de la cohorte de détraqués lancés à leurs trousses pour tuer Sailor.Sailor et Lula, deux jeunes amants, cherchent à fuir des griffes de la mère de la demoiselle et de la cohorte de détraqués lancés à leurs trousses pour tuer Sailor.
- Nommé pour 1 Oscar
- 5 victoires et 13 nominations au total
William Morgan Sheppard
- Mr. Reindeer
- (as W. Morgan Sheppard)
Histoire
Le saviez-vous
- AnecdotesDuring filming, Laura Dern passed out when David Lynch asked her to smoke four cigarettes at once in one deep inhalation. When she came to, she saw a worried Lynch standing above her asking: "Tidbit! Are you alright?"
- GaffesDuring the scene when Sailor's is running through a traffic jam to find Lula, a crew member and boom mic is visible in the reflection of one of the windows of a black van.
- Crédits fousThe ending credits play over footage of Sailor singing "Love Me Tender" to Lula, rather than a black screen.
- Versions alternativesTo avoid an X-rating in the USA, David Lynch added a smoky haze and spark impact to the shots where Bobby Peru (Willem Dafoe) shoots himself with a shotgun and blows his head off. The second shot has the same smoky haze on it to hide the chunk of his head flying though the air. The effect made the removal of his head from his body less clear and muted the blood and gore and got the movie an "R" rating. The uncut version was released outside the USA, but since the David Lynch-approved DVD came out in the U.S. (the shot was altered there), the censored transfer has been used on worldwide DVD releases as well, while most of the versions with the bloodier version of the scene have gone out of print. Oddly enough, the more graphic version is still shown in TV airings in the U.S. on the Sundance Channel.
- Bandes originalesSlaughter House
Written by Joel DuBay, Jeffrey Litke & Adrian Liberty
Performed by Powermad
Published by Cosmic Lug Publishing (ASCAP)
Courtesy of Reprise Records
by Arrangement with Warner Special Products
Commentaire à la une
Almost two years after beating a man to death in a fight, Sailor is released from prison and restarts his relationship with Lula - much to the disapproval of Lula's mother. When Sailor and Lula break parole and head for California, she hires a hitman after them to kill Sailor. Unaware of this, Sailor and Lula continue west, encountering all manner of weird and wonderful people on their way.
I first tried to watch this when it first came on television, but I was watching it with family and felt uncomfortable with the nudity and turned it off. Years later I have seen many other Lynch films, have loved Twin Peaks and looked forward to a chance to watch it. I sat to watch it aware of the basic plot and that it was to be full of references to Wizard of Oz, but I wasn't prepared for the biggest surprise - that it just wasn't that good a film. I am not adverse to Lynch's universe of weird characters but I don't like it when I get the feeling that he is simply being weird for the sake of it.
Certainly that seemed to be the case here: the plot is so loose and meaningless to almost be pointless even as a frame for weirdness - which is what it really is. The references to Wizard of Oz are all there but, rather than being part of the film, they are stuck in with clumsiness all the way - they seem like a gimmicky afterthought rather than a carefully scripted part of the film. The plot is more a collected of the usual Lynchian weirdness and gore. Sometimes this works really well when it is framed within an engaging film, but here the characters, images and action are all just left drifting in a relatively empty film. It's a shame because I really like many of Lynch's films and was looking forward to this, but even I am forced to admit that this film just isn't that good.
The cast features many of Lynch regulars, but many seem to be lost due to the fact that they haven't got the material to do their stuff within. Cage is really quite good despite his simple character. Dern is given more to do but comes across rather hammy with it - her character should have had the emotional buy in to the film but she can't deliver it. Turns from Dafoe, Stanton, Rossellini, Fenn, Glover and others are all good but they exist as free floating weird characters rather than part of the film in the way I would have liked.
Overall this is a typical Lynchian film in it's imagery, weird characters, strange story and violent/sexual content. Usually these would be good things in this context but here they aren't put together very well creating a film that, although worth seeing and weirdly fascinating, is not actually that good a film.
I first tried to watch this when it first came on television, but I was watching it with family and felt uncomfortable with the nudity and turned it off. Years later I have seen many other Lynch films, have loved Twin Peaks and looked forward to a chance to watch it. I sat to watch it aware of the basic plot and that it was to be full of references to Wizard of Oz, but I wasn't prepared for the biggest surprise - that it just wasn't that good a film. I am not adverse to Lynch's universe of weird characters but I don't like it when I get the feeling that he is simply being weird for the sake of it.
Certainly that seemed to be the case here: the plot is so loose and meaningless to almost be pointless even as a frame for weirdness - which is what it really is. The references to Wizard of Oz are all there but, rather than being part of the film, they are stuck in with clumsiness all the way - they seem like a gimmicky afterthought rather than a carefully scripted part of the film. The plot is more a collected of the usual Lynchian weirdness and gore. Sometimes this works really well when it is framed within an engaging film, but here the characters, images and action are all just left drifting in a relatively empty film. It's a shame because I really like many of Lynch's films and was looking forward to this, but even I am forced to admit that this film just isn't that good.
The cast features many of Lynch regulars, but many seem to be lost due to the fact that they haven't got the material to do their stuff within. Cage is really quite good despite his simple character. Dern is given more to do but comes across rather hammy with it - her character should have had the emotional buy in to the film but she can't deliver it. Turns from Dafoe, Stanton, Rossellini, Fenn, Glover and others are all good but they exist as free floating weird characters rather than part of the film in the way I would have liked.
Overall this is a typical Lynchian film in it's imagery, weird characters, strange story and violent/sexual content. Usually these would be good things in this context but here they aren't put together very well creating a film that, although worth seeing and weirdly fascinating, is not actually that good a film.
- bob the moo
- 20 mars 2004
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Sailor et Lula
- Lieux de tournage
- El Paso, Texas, États-Unis(Big Tuna, Texas town setting)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 560 247 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 913 764 $US
- 19 août 1990
- Montant brut mondial
- 14 572 846 $US
- Durée2 heures 5 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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