NOTE IMDb
6,5/10
9,2 k
MA NOTE
Ajouter une intrigue dans votre langueLust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.
- Récompenses
- 1 victoire et 1 nomination au total
Rachel Chagall
- Rachel
- (as Rachel Levin)
Renée Taylor
- Edith Baron
- (as Renee Taylor)
Kim Myers
- Heidi Solomon
- (as Kim Meyers)
Histoire
Le saviez-vous
- AnecdotesRobert Downey Jr. was considered for the role of Max Baron and even screen tested with Susan Sarandon.
- GaffesIn the final scene where Max and Nora are talking at the restaurant, their hairstyles change mid-conversation.
- Bandes originalesLove Or Money
Performed by Slater Sealove Band
Courtesy of Reata
Written by James Slater & Carl Sealove
Commentaire à la une
White palace has a great sexual dynamic, clearly Susan Sarandon's character (Nora Baker) is a sexually charged self confident woman who is at least 10 years or so older than James Spader's character (Max Baron). This movie shows how deep attraction and passion can change people's lives (perhaps for the better) and overcome class/personality and age differences.
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
- foolishewe
- 25 juin 2001
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- White Palace
- Lieux de tournage
- Duff;s Reataurant, 392 North Euclid Avenue, Saint-Louis, Missouri, États-Unis(The NYC restaurant where Sarandon and Spader reunite at end)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 17 487 531 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 078 697 $US
- 21 oct. 1990
- Montant brut mondial
- 17 487 531 $US
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