Un membre de l'IRA s'échappe à New York et se cache au domicile d'un policier à part entière qui ignore son identité. Le nouveau venu s'intègre dans la famille, tout en organisant un gros ac... Tout lireUn membre de l'IRA s'échappe à New York et se cache au domicile d'un policier à part entière qui ignore son identité. Le nouveau venu s'intègre dans la famille, tout en organisant un gros achat d'armes pour son organisation.Un membre de l'IRA s'échappe à New York et se cache au domicile d'un policier à part entière qui ignore son identité. Le nouveau venu s'intègre dans la famille, tout en organisant un gros achat d'armes pour son organisation.
- Récompenses
- 1 nomination au total
Rubén Blades
- Edwin Diaz
- (as Ruben Blades)
Ashley Acarino
- Morgan O'Meara
- (as Ashley Carin)
Histoire
Le saviez-vous
- AnecdotesBrad Pitt wanted to leave the production, but was threatened by a lawsuit. In the February 2, 1997, issue of Newsweek, Pitt called the film a "disaster", and said that "it was the most irresponsible bit of filmmaking - if you can even call it that - that I've ever seen. I couldn't believe it". Rumors of fighting on the set (especially over which star would be the focus of the film) plagued the production. The original script was discarded and there were at least seven subsequent rewrites. Pitt said the final version was "a mess". "The script that I had loved was gone," he said. "I guess people just had different visions and you can't argue with that. But then I wanted out and the studio head said, 'All right, we'll let you out, but it'll be $63 million for starters." (Harrison Ford later noted that Pitt "forgot for a moment that he was talking to someone whose job it was to write this s*** down".)
- GaffesWhen taking Rory/Frankie in to the police station, Tom and his partner leave him alone, though handcuffed, in the rear seat. It is standard police practice to have one officer in back with the suspect, and seated directly behind the driver. This prevents any assault on the driver, or attempt to escape without being observed - or seen too late by way of the rear view mirror as happened here.
Commentaire à la une
What is it with American-Irish? Some of their richest and most respectable members have poured millions of Dollars into the IRA, harboured some of their members, idealised the notion of a "fight for freedom". Believe me, as a Scot, with William Wallace et al I've always had a certain affinity for heroes. But the IRA are no heroes. They've become Northern Ireland's drug-dealers, extortioners, gangsters. The people of Ireland as whole have had enough of them and their way of terrorising innocent people. May it be the IRA or the UDP, the notion of a Catholic V Protestant jihad has long ago turned into a simple cycle of self-perpetuating violence. These men and women are no longer anything resembling the oh-so glorious Michael Collins, they are terrorists who don't know when to quit and never knew anything but how to fight. These men aren't the Brad Pitts of the world, nor is the British Army an oppressor anymore (considering that over 90% of the locals support the Army, simply because it provides protection). Yet in 1997 we still got the great toss of this movie, showing us how brave Irishmen fight against an onslaught of British stormtroopers and evil S(I)S men. Somehow it seems that America is hell-bent on keeping up the idea of the stiff upper-lip English villain. May it be The Devil's Own, Braveheart, U-571 or most recently The Patriot, Hollywood seems bent on demonising the US' closest ally, both politically and culturally. I may not be a great fan of the English, but even I know what harm stereotypes can do. Perhaps the writer should have gone out to the streets of Belfast and asked ordinary people what they think of the IRA. Perhaps the writer should have also approached a soldier and asked him what it's like to occupy Northern Ireland. Somehow, I have severe doubts that a movie about the post-WW2 SS-"Werwölfe" guerillas would be quite so romanticised.
And this movie has a Riverdance sequence. Oh please....
And this movie has a Riverdance sequence. Oh please....
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- How long is The Devil's Own?Alimenté par Alexa
Détails
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 868 348 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 274 503 $US
- 30 mars 1997
- Montant brut mondial
- 140 807 547 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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